Have patience a little, for I must tell you one or two things more about Lucca: they are all connected with the history of Florence, which is to be one of the five cities you are to be able to give account of; and, by the way, remember at once, that her florin in the 14th century was of such pure gold that when in Chaucer's "Pardonere's Tale" Death puts himself into the daintiest dress he can, it is into a heap of "floreines faire and bright." He has chosen another form at Lucca; and when I had folded up my two bits of refuse tinder, I walked into the Cathedral to look at the golden lamp which hangs before the Sacred Face--twenty-four pounds of pure gold in the lamp: Face of wood: the oath of kings, since William Rufus' days; carved eighteen hundred years ago, if one would believe, and very full of pardon to faithful Lucchese; yet, to some, helpless. There are, I suppose, no educated persons in Italy, and few in England, who do not profess to admire Dante; and, perhaps, out of every hundred of these admirers, three or four may have read the bit about Francesca di Rimini, the death of Ugolino, and the description of the Venetian Arsenal. But even of these honestly studious three or four we should rarely find one, who knew why the Venetian Arsenal was described. You shall hear, if you will. "As, in the Venetian Arsenal, the pitch boils in the winter time, wherewith to caulk their rotten ships ... so, not by fire, but divine art, a thick pitch boiled there, beneath, which had plastered itself all up over the banks on either side. But in it I could see nothing, except the bubbles that its boiling raised, which from time to time made it all swell up over its whole surface, and presently fell back again depressed. And as I looked at it fixedly, and wondered, my guide drew me back hastily, saying, 'Look, look!' And when I turned, I saw behind us, a black devil come running along the rocks. Ah, how wild his face! ah, how bitter his action as he came with his wings wide, light upon his feet! On his shoulder he bore a sinner, grasped by both haunches; and when he came to the bridge foot, he cried down into the pit: 'Here's an ancient from Lucca; put him under, that I may fetch more, for the land is full of such; there, for money, they make "No" into "Yes" quickly.' And he cast him in and turned back,--never mastiff fiercer after his prey. The thrown sinner plunged in the pitch, and curled himself up; but the devils from under the bridge cried out, 'There's no holy face here; here one swims otherwise than in the Serchio.' And they caught him with their hooks and pulled him under, as cooks do the meat in broth; crying, 'People play here hidden; so that they may filch in secret, if they can.'"