Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
It is a strange pass for things to have reached, under politic
aristocracies and learned professors; but the policy and learning
became useless, through the same kind of mistake on both sides. The
professors of botany forgot that botany, in its original Greek, meant
a science of things to be eaten; they pursued it only as a science of
things to be named. And the politic aristocracy forgot that their own
"bestness" consisted essentially in their being fit--in a figurative
manner--to be eaten, and fancied rather that their superiority was
of a titular character, and that the beauty and power of their order
lay wholly in being fit to be--named.
I must go back to my wall-building, however, for a minute or two
more, because you might probably think that my answer to the farmer's
objection about expense, (even if I had possessed Italian enough to
make it intelligible,) would have been an insufficient one; and that
the operation of embanking hill-sides so as to stay the rain-flow,
is a work of enormous cost and difficulty.
Indeed, a work productive of good so infinite as this would be, and
contending for rule over the grandest forces of nature, cannot be
altogether cheap, nor altogether facile. But spend annually one-tenth
of the sum you now give to build embankments against imaginary enemies,
in building embankments for the help of people whom you may easily
make your real friends,--and see whether your budget does not become
more satisfactory, so; and, above all, learn a little hydraulics.
I wasted some good time, a year or two since, over a sensational novel
in one of our magazines, which I thought would tell me more of what the
public were thinking about strikes than I could learn elsewhere. But
it spent itself in dramatic effects with lucifer matches, and I
learned nothing from it, and the public mislearned much. It ended,
(no, I believe it didn't end,--but I read no farther,) with the
bursting of a reservoir, and the floating away of a village. The
hero, as far as I recollect, was in the half of a house which was
just going to be washed down; and the anti-hero was opposite him,
in the half of a tree which was just going to be torn up; and the
heroine was floating between them down the stream, and one wasn't
to know, till next month, which would catch her. But the hydraulics
were the essentially bad part of the book, for the author made great
play with the tremendous weight of water against his embankment;--it
never having occurred to him that the gate of a Liverpool dry dock
can keep out--and could just as easily for that matter keep in--the
Atlantic Ocean, to the necessary depth in feet and inches; the depth
giving the pressure, not the superficies.
Public-domain text, read in full here on John Shaqi.
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