Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The bed is a broad four-poster, the posts being beautifully wrought
golden or gilded rods, variously wreathed and branched, carrying a
canopy of warm red. The princess's shield is at the head of it, and
the feet are raised entirely above the floor of the room, on a dais
which projects at the lower end so as to form a seat, on which the
child has laid her crown. Her little blue slippers lie at the side
of the bed,--her white dog beside them. The coverlid is scarlet, the
white sheet folded half way back over it; the young girl lies straight,
bending neither at waist nor knee, the sheet rising and falling over
her in a narrow unbroken wave, like the shape of the coverlid of
the last sleep, when the turf scarcely rises. She is some seventeen
or eighteen years old, her head is turned towards us on the pillow,
the cheek resting on her hand, as if she were thinking, yet utterly
calm in sleep, and almost colourless. Her hair is tied with a narrow
riband, and divided into two wreaths, which encircle her head like a
double crown. The white nightgown hides the arm raised on the pillow,
down to the wrist.
At the door of the room an angel enters; (the little dog, though
lying awake, vigilant, takes no notice.) He is a very small angel,
his head just, rises a little above the shelf round the room, and
would only reach as high as the princess's chin, if she were standing
up. He has soft grey wings, lustreless; and his dress, of subdued
blue, has violet sleeves, open above the elbow, and showing white
sleeves below. He comes in without haste, his body, like a mortal
one, casting shadow from the light through the door behind, his face
perfectly quiet; a palm-branch in his right hand--a scroll in his left.
So dreams the princess, with blessed eyes, that need no earthly
dawn. It is very pretty of Carpaccio to make her dream out the angel's
dress so particularly, and notice the slashed sleeves; and to dream so
little an angel--very nearly a doll angel,--bringing her the branch
of palm, and message. But the lovely characteristic of all is the
evident delight of her continual life. Royal power over herself,
and happiness in her flowers, her books, her sleeping and waking,
her prayers, her dreams, her earth, her heaven.
Public-domain text, read in full here on John Shaqi.
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