Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Next read Sir Walter Scott's entry made in his copy of the Haliburton
Memorials:--
"The said Thomas Scott died at Monklaw, near Jedburgh, at two of
the clock, 27th January, 1823, in the 90th year of his life, and
fully possessed of all his faculties. He read till nearly the year
before his death; and being a great musician on the Scotch pipes,
had, when on his deathbed, a favourite tune played over to him by
his son James, that he might be sure he left him in full possession
of it. After hearing it, he hummed it over himself, and corrected
it in several of the notes. The air was that called 'Sour Plums in
Galashiels.' When barks and other tonics were given him during his
last illness, he privately spat them into his handkerchief, saying,
as he had lived all his life without taking doctors' drugs, he wished
to die without doing so."
No occasion whatever for deathbed repentances, you perceive, on the
part of this old gentleman; no particular care even for the disposition
of his handsome independence; but here is a bequest of which one must
see one's son in full possession--here is a thing to be well looked
after, before setting out for heaven, that the tune of "Sour Plums
in Galashiels" may still be played on earth in an incorrupt manner,
and no damnable French or English variations intruded upon the solemn
and authentic melody thereof. His views on the subject of Materia
Medica are also greatly to be respected.
"I saw more than once," Lockhart goes on, "this respectable man's
sister (Scott's aunt Janet), who had married her cousin Walter,
Laird of Raeburn, thus adding a new link to the closeness of the
family connection. She also must have been, in her youth, remarkable
for personal attractions; as it was, she dwells on my memory as the
perfect picture of an old Scotch lady, with a great deal of simple
dignity in her bearing, but with the softest eye and the sweetest
voice, and a charm of meekness and gentleness about every look
and expression. She spoke her native language pure and undiluted,
but without the slightest tincture of that vulgarity which now seems
almost unavoidable in the oral use of a dialect so long banished from
courts, and which has not been avoided by any modern writer who has
ventured to introduce it, with the exception of Scott, and I may add,
speaking generally, of Burns. Lady Raeburn, as she was universally
styled, may be numbered with those friends of early days whom her
nephew has alluded to in one of his prefaces as preserving what we
may fancy to have been the old Scotch of Holyrood."
Public-domain text, read in full here on John Shaqi.
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