Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The most prosaic, in this sense, piece I have ever myself examined,
in the literature of any nation, is the Henriade of Voltaire. You may
take that as a work of a man whose head was as destitute of imaginative
power as it is possible for the healthy cerebral organization of a
highly developed mammalian animal to be. The description of the storm
which carries Henry to Jersey, and of the hermit in Jersey "que Dieu
lui fit connaitre," and who, on that occasion, "au bord d'une onde
pure, offre un festin champêtre," cannot be rivalled, for stupor in
conceptive power, among printed books of reputation. On the other hand,
Voltaire's wit, and reasoning faculties, are nearly as strong as his
imagination is weak. His natural disposition is kind; his sympathy
therefore is sincere with any sorrow that he can conceive; and his
indignation great against injustices of which he cannot comprehend
the pathetic motives. Now notice further this, which is very curious,
and to me inexplicable, but not on that account less certain as a fact.
The imaginative power always purifies; the want of it therefore as
essentially defiles; and as the wit-power is apt to develope itself
through absence of imagination, it seems as if wit itself had a
defiling tendency. In Pindar, Homer, Virgil, Dante, and Scott, the
colossal powers of imagination result in absolute virginal purity
of thought. The defect of imagination and the splendid rational
power in Pope and Horace associate themselves--it is difficult to
say in what decided measures--with foulness of thought. The Candide
of Voltaire, in its gratuitous filth, its acute reasoning, and its
entire vacuity of imagination, is a standard of what may perhaps
be generally and fitly termed 'fimetic literature,' still capable,
by its wit, and partial truth, of a certain service in its way. But
lower forms of modern literature and art--Gustave Doré's paintings,
for instance,--are the corruption, in national decrepitude, of this
pessimist method of thought; and of these, the final condemnation is
true--they are neither fit for the land, nor yet for the dunghill.
Public-domain text, read in full here on John Shaqi.
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