Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
After this bit of the Earl's letter, you will better understand
the speech of the Lady of Buccleugh, defending her castle in the
absence of her lord, and with her boy taken prisoner. And now
look back to my 25th letter, for I want you not to forget Alice of
Salisbury. King Edward's first sight of her was just after she had
held her castle exactly in this way, against a raid of the Scots
in Lord Salisbury's absence. Edward rode night and day to help her;
and the Scots besiegers, breaking up at his approach, this is what
follows, which you may receive on Froissart's telling as the vital
and effectual truth of the matter. A modern English critic will
indeed always and instantly extinguish this vital truth; there is
in it something inherently detestable to him; thus the editor of
Johnes' Froissart prefaces this very story with "the romance--for it
is nothing more." Now the labyrinth of Crete, and the labyrinth of
Woodstock, are indeed out of sight; and of a real Ariadne or Rosamond,
a blockhead might be excused for doubting; but St. George's Chapel
at Windsor--(or Winde-Rose, as Froissart prettily transposes it,
like Adriane for Ariadne) is a very visible piece of romance; and the
stones of it were laid, and the blue riband which your queen wears on
her breast is fastened, to this day, by the hand of Alice of Salisbury.
"So the King came at noon; and angry he was to find the Scots gone;
for he had come in such haste that all his people and horses were
dead-tired and toiled. So every one went to rest; and the King, as
soon as he was disarmed, took ten or twelve knights with him, and went
towards the castle to salute the Countess, and see how the defence had
been made. So soon as the Lady of Salisbury knew of the King's coming,
she made all the gates be opened," (inmost and outmost at once,) "and
came out, so richly dressed that every one was wonderstruck at her, and
no one could cease looking at her, nor from receiving, as if they had
been her mirrors, the reflection of her great nobleness, and her great
beauty, and her gracious speaking and bearing herself. When she came to
the King, she bowed down to the earth, over against him, in thanking
him for his help, and brought him to the castle, to delight him and
honour him--as she who well knew how to do it. Every one looked at her,
even to amazement, and the King himself could not stop looking at her,
for it seemed to him that in the world never was lady who was so much
to be loved as she. So they went hand in hand into the castle, and the
Lady led him first into the great hall, and then into her own chamber,
(what the French now call a pouting-room, but the ladies of that day
either smiled or frowned, but did not pout,) which was nobly furnished,
as befitted such lady. And always the King looked at the gentle Lady,
so hard that she became all ashamed. When he had looked at her a long
while, he went away to a window, to lean upon it, and began to think
deeply.
Public-domain text, read in full here on John Shaqi.
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