Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The philosophical journalist, after some further contemptuous statement
of the vulgar views on this subject, conveniently dispenses (as will be
seen by reference to the end of the clause in the note) with the
defence of his own. I will undertake the explanation of what was,
perhaps, even to himself, not altogether clear in his impressions. If a
burglar ever carries off the Editor’s plate-basket, the bereaved Editor
will console himself by reflecting that “it is not true that what one
man appropriates becomes thereupon useless to others:”—for truly, (he
will thus proceed to finer investigation,) this plate of mine, melted
down, after being transitionally serviceable to the burglar, will enter
again into the same functions among the silver of the world which it
had in my own possession; so that the intermediate benefit to the
burglar may be regarded as entirely a form of trade profit, and a kind
of turning over of capital. And “it is also untrue that force or fraud,
direct or indirect, are the principal, or indeed that they are at all
common or important, modes of acquiring wealth,”—for this poor thief,
with his crowbar and jemmy, does but disfurnish my table for a day;
while I, with my fluent pen, can replenish it any number of times over,
by the beautiful expression of my opinions for the public benefit. But
what manner of fraud, or force, there may be in living by the sale of
one’s opinions, instead of knowledges; and what quantity of true
knowledge on any subject whatsoever—moral, political, scientific, or
artistic—forms at present the total stock in trade of the Editors of
the European Press, our Pall Mall Editor has very certainly not
considered.
Public-domain text, read in full here on John Shaqi.
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