Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
“Of Felix Neff I know less than I ought, but if his ministry tended to
bring more sweetness and light into your correspondent’s life, surely
his influence in her mind is moral and healthful.
“I am very faithfully yours,
“Edward Z. Lyttel.
“John Ruskin, Esq.”
I transgress the laws of courtesy, in printing, without asking the
writer’s permission, part of a letter which follows: but my
correspondent is not, as far as I know him, a man who shrinks from
publicity, or who would write in a private letter anything on general
subjects which he would be unwilling openly to maintain; while the
letter itself is so monumental as a type of the condition to which the
modern average literary mind has been reduced, in its reading of
authoritative classical authors, and touches so precisely on points
which it happens to be my immediate business to set at rest in the
minds of many of my readers, that I cannot but attribute to the Third
Fors the direct inspiration of the epistle—and must leave on her hands
what blame may be attached to its publication. I had been expressing
some surprise to my correspondent (an acquaintance of long standing) at
his usually bright and complacent temper; and making some enquiry about
his views respecting modern usury, knowing him to have read, at least
for literary purposes, large portions of the Old Testament. He
replies,—
“I am sure I would not be wiser if I were ‘more uncomfortable’ in my
mind; I am perfectly sure, if I can ever do good to any mortal, it will
be by calm working, patient thinking, not by running, or raging, or
weeping, or wailing. But for this humour, which I fancy I caught from
Shakespeare and Goethe, the sorrow of the world would drive me mad.
Public-domain text, read in full here on John Shaqi.
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