Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
“And one example, whether love or feare doth worke more in a childe for
vertue and learning, I will gladly report: which may bee heard with
some pleasure, t̄ followed with more profite. Before I went into
Germanie I came to Brodegate in Leicestershire, to take my leave of
that noble Lady Jane Grey, to whom I was exceeding much beholding. Her
parentes, the Duke and the Dutchesse, with all the householde,
Gentlemen and Gentleweemen, were hunting in the Parke: I found her in
her chamber, reading Phædon Platonis in Greeke, t̄ that with as much
delite, as some gentleman would read a mery tale in Bocase. After
salutation, and duetie done, with some other talk, I asked her, why
shee would leese such pastime in the Parke? Smiling shee answered mee:
I wisse, all their sport in the Parke, is but a shadow to that pleasure
yͪ I finde in Plato: Alas, good folke, they never felt what true
pleasure ment.”
Thus far, except in the trouble of reading black letters, I have given
you nothing new, or even freshly old. All this we have heard of the
young lady a hundred times over. But next to this, comes something
which I fancy will be unexpected by most of my readers. For the fashion
of all literary students, catering for the public, has hitherto been to
pick out of their author whatever bits they thought likely to be
acceptable to Demos, and to keep everything of suspicious taste out of
his dish of hashed hare. Nay, ‘he pares his apple that will cleanly
eat,’ says honest George Herbert. I am not wholly sure, however, even
of that; if the apple itself be clean off the bough, and the teeth of
little Eve and Adam, what teeth should be, it is quite questionable
whether the good old fashion of alternate bite be not the method of
finest enjoyment of flavour. But the modern frugivorous public will
soon have a steam-machine in Covent Garden, to pick the straw out of
their strawberries.
In accordance with which popular principle of natural selection, the
historians of Lady Jane’s life, finding this first opening of the scene
at Brodegate so entirely charming and graceful, and virtuous, and
moral, and ducal, and large-landed-estate-ish—without there being the
slightest suggestion in it of any principle, to which any body could
possibly object,—pounce upon it as a flawless gem; and clearing from it
all the objectionable matrix, with delicate skill, set it forth—changed
about from one to another of the finest cases of velvet eloquence to be
got up for money—in the corner shop—London and Ryder’s, of the Bond
Street of Vanity Fair.
But I, as an old mineralogist, like to see my gems in the rock; and
always bring away the biggest piece I can break with the heaviest
hammer I can carry. Accordingly, I venture to beg of you also, good
reader, to decipher farther this piece of kindly Ascham’s following
narration:
Public-domain text, read in full here on John Shaqi.
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