Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Well, I can’t get that paper of Mr. Frederick Harrison’s out of my
head; chiefly because I know and like its writer; and I don’t like his
wasting his time in writing that sort of stuff. What I have got to say
to him, anent it, may better be said publicly, because I must write it
carefully, and with some fulness; and if he won’t attend to me, perhaps
some of his readers may. So I consider him, for the time, as one of my
acquaintances among working men, and dedicate the close of this letter
to him specially.
My dear Harrison,—I am very glad you have been enjoying yourself at
Oxford; and that you still think it a pretty place. But why, in the
name of all that’s developing, did you walk in those wretched old
Magdalen walks? They’re as dull as they were thirty years ago. Why
didn’t you promenade in our new street, opposite Mr. Ryman’s? or under
the rapturous sanctities of Keble? or beneath the lively new zigzag
parapet of Tom Quad?—or, finally, in the name of all that’s human and
progressive, why not up and down the elongating suburb of the married
Fellows, on the cock-horse road to Banbury?
However, I’m glad you’ve been at the old place; even though you wasted
the bloom of your holiday-spirits in casting your eyes, in that too
childish and pastoral manner, “round this sweet landscape, with its
myriad blossoms and foliage, its meadows in their golden glory,” etc.;
and declaring that all you want other people to do is to “follow out in
its concrete results this sense of collective evolution.” Will you only
be patient enough, for the help of this old head of mine on stooping
shoulders, to tell me one or two of the inconcrete results of separate
evolution?
Had you done me the honour to walk through my beautifully developing
schools, you would have found, just outside of them, (turned out
because I’m tired of seeing it, and want something progressive) the
cast of the Elgin Theseus. I am tired thereof, it is true; but I don’t
yet see my way, as a Professor of Modern Art, to the superseding it. On
the whole, it appears to me a very satisfactory type of the human form;
arrived at, as you know, two thousand and two hundred years ago. And
you tell me, nevertheless, to “see how this transcendent power of
collective evolution holds me in the hollow of its hand!” Well, I hope
I am handsomer than the Theseus; it’s very pleasant to think so, but it
did not strike me before. May I flatter myself it is really your candid
opinion? Will you just look at the “Realization of the (your?) Ideal,”
in the number of ‘Vanity Fair’ for February 17th, 1872, and confirm me
on this point?
Public-domain text, read in full here on John Shaqi.
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