Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
“In your first issue you raise the question, ‘How large ought a Home to
be?’ This is a question of great interest to all; and I trust the
accumulated answers you will receive will aid in its solution.
“I have lived in homes varying in numbers from one (the bachelor’s
home) to several hundred; and my experience and observation lead me to
regard one hundred and twenty-five as about the right number to form a
complete home. I would not have less than seventy-five nor more than
one hundred and fifty. In my opinion a Home should minister to all the
needs of its members, spiritual, intellectual, social, and physical.
This ordinary monogamic homes cannot do; hence resort is had to
churches, colleges, club-rooms, theatres, etc.; and in sparsely settled
regions of country, people are put to great inconvenience and compelled
to go great distances to supply cravings as imperative as the hunger
for bread. This view alone would not limit the number of persons
constituting a Home; but I take the ground that in a perfect Home there
will be a perfect blending of all interests and perfect vibration in
unison of all hearts; and of course thorough mutual acquaintance. My
experience and observation convince me that it is exceedingly
difficult, if not impossible, to secure these results in a family of
over one hundred and fifty members.
“In simply a monetary view it is undoubtedly best to have large Homes
of a thousand or more; but money should not have great weight in
comparison with a man’s spiritual, intellectual, and social needs.—D.
E. S.”
FORS CLAVIGERA.
LETTER LXXII.
Venice, 9th November, 1876, 7 morning.
I have set my writing-table close to the pillars of the great window of
the Ca’ Ferro, which I drew, in 1841, carefully, with those of the next
palace, Ca’ Contarini Fasan. Samuel Prout was so pleased with the
sketch that he borrowed it, and made the upright drawing from it of the
palace with the rich balconies, ‘which now represents his work very
widely as a chromolithotint. [107]
Between the shafts of the pillars, the morning sky is seen pure and
pale, relieving the grey dome of the church of the Salute; but beside
that vault, and like it, vast thunderclouds heap themselves above the
horizon, catching the light of dawn upon them where they rise, far
westward, over the dark roof of the ruined Badia;—but all so massive,
that, half an hour ago, in the dawn, I scarcely knew the Salute dome
and towers from theirs; while the sea-gulls, rising and falling hither
and thither in clusters above the green water beyond my balcony, tell
me that the south wind is wild on Adria.
“Dux inquieti turbidus Adriæ.”—The Sea has her Lord, and the sea-birds
are prescient of the storm; but my own England, ruler of the waves in
her own proud thoughts, can she rule the tumult of her people, or,
pilotless, even so much as discern the thunderclouds heaped over her
Galilean lake of life?
Public-domain text, read in full here on John Shaqi.
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