Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The star-lesson was of course given in the night; and, in the morning,
Abram slays the five creatures, and watches their bodies all day.
‘Such an absurd thing to do—to cut rams and cows in two, to please
God!’
Indeed it seems so; yet perhaps is better than cutting men in two to
please ourselves; and we spend thirty millions a year in preparations
for doing that. How many more swiftly divided carcases of horses and
men, think you, my Christian friends, have the fowls fed on, not driven
away,—finding them already carved for their feast, or blown into small
and convenient morsels, by the military gentlemen of Europe, in
sacrifice to—their own epaulettes, (poor gilded and eyeless idols!)
during the past seventy and six years of this one out of the forty
centuries since Abram?
“The birds divided he not.” A turtle dove, or in Greek ‘cooing dove;’
and a pigeon, or in Greek ‘dark dove;’ or black dove, such as came to
Dodona;—these were not to be cut through breast and backbone! Why? Why,
indeed, any of this butchery and wringing of necks? Not wholly,
perhaps, for Abram’s amusement, or God’s; like our coursing and
pigeon-shooting;—but then, all the more earnestly one asks, why?
The Episcopal commentary tells you, (usefully this time) that the
beasts were divided, because among all nations it was then the most
solemn attestation of covenant to pass between halves of beasts. But
the birds?
We are not sure, by the way, how far the cleaving might reach, without
absolute division. Read Leviticus i., 15 to 17, and v., 6 to 10. ‘You
have nothing to do with those matters,’ you think? I don’t say you
have; but in my schools you must know your Bible, and the meaning of
it, or want of meaning, at least a little more definitely than you do
now, before I let you throw the book away for ever. So have patience
with it a little while; for indeed until you know something of this
Bible, I can’t go on to teach you any Koran, much less any Dante or
Shakspeare. Have patience, therefore,—and you will need, probably, more
than you think; for I am sadly afraid that you don’t at present know so
much as the difference between a burnt-offering and a sin-offering; nor
between a sin-offering and a trespass-offering,—do you? (Lev. v. 15);
so how can you possibly know anything about Abram’s doves, or
afterwards about Ion’s,—not to speak of the Madonna’s? The whole story
of the Ionic migration, and the carving of those Ionic capitals, which
our architects don’t know how to draw to this day, is complicated with
the tradition of the saving of Ion’s life by his recognition of a very
small ‘trespass’—a servant’s momentary ‘blasphemy.’ Hearing it, he
poured the wine he was about to drink out upon the ground. A dove,
flying down from the temple cornice, dipped her beak in it, and died,
for the wine had been poisoned by—his mother. But the meaning of all
that myth is involved in this earlier and wilder mystery of the Mount
of the Amorite.
Public-domain text, read in full here on John Shaqi.
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