She belonged to all the London worlds, although she found perhaps
especial pleasure in the society of her fellow writers. This was largely
because she loved, beyond everything else, the business side of her
profession. There was nothing at all that she did not know about the
publishing and distribution of a novel. Her capacity for remembering
other people's prices was prodigious and she managed her agent and her
publisher with a deftness that left them gasping. There were very few
persons in her world who had not, at one time or another, poured their
troubles into her ear. She had that gift, valuable in life beyond all
others, of giving herself up entirely to the person with whom she was
talking. When the time came to give advice the combination of her common
sense and her tenderness made her invaluable. There was no crime black
enough, no desertion, no cruelty horrible enough to outspeed her pity.
She hated and understood the sin and loved and comforted the sinner.
With a wide and accurate knowledge of humanity she combined a deep
spiritual belief in the goodness of God.
Everything, however horrible, interested her ... she adored life.
This little person in the straw bonnet and the blue dress gave Peter
something that he had never known before--she mothered him. He sat next
to her at some dinner-party and she asked him to come and have tea with
her. She lived in a little street in Westminster in a tiny house that
had her children on the top floor, a beautiful copy of the Mona Lisa and
a very untidy writing-table on the second, and a little round hall and
a tiny dining-room on the ground floor. Her husband and her
family--including an adorable child of two--were all as amiable as
possible.
Peter told her most things on the first day that he had tea with her and
everything on the second. He told her about his boyhood--Treliss, Scaw
House, his father, Stephen. He told her about Brockett's and Bucket
Lane. He told her, finally, about Clare Rossiter.
He always remembered one thing that she said at this time. They were
sitting at her open window looking down into the blue evening that is in
Westminster quieter even than it is at Chelsea. Behind the faint green
cloud of trees the Abbey's huge black pile soared into space.
“You think you've made a tremendous break?” she said.
“Yes--this is an entirely new life--new in every way. I seem too to be
set amongst an entirely new crowd of people. The division seems to me
sharper every day. I believe I've left it all behind.”
She looked at him sharply. “You're afraid of all that earlier time,” she
said.
“Yes, I am.”
“It made you write 'Reuben Hallard.' Perhaps this life here in
London...”
“It's safer,” he caught her up.
“Don't,” she answered him very gravely, “play for safety. It's the most
dangerous thing in the world.” She paused for a moment and then added:
“But probably they won't let you alone.”
“I hope to God they will,” he cried.
III
Public-domain text, read in full here on John Shaqi.
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