Peter had known of this for many years, but, in earlier times, he had
not been at liberty, and of late there had been other things to think
about. But here was a fine chance! Was he not flinging himself into
the world under the very hazardous patronage of Mr. Zanti on Easter
Wednesday, and would he not therefore need every blessing that he could
get? And who knew, after all, whether these things were such nonsense?
They were old enough, these customs, and many wise people believed in
them. Moreover, one had not been brought up in the company of Frosted
Moses and Dicky the Fool without catching some of their fever! “There
was a little star rolling down hill like a button,” says Dicky, with his
eyes staring....' Well, and why not?
And indeed here was Peter at this stage of things, a mad I bundle of
contradictions--old as a judge when up against the Realities, young as
Crumpet the puppy when staring at Romance. Give him bread and you have
him of cast-iron--stern, cold, hard of muscle, grim frown, stiff back,
no smiles. Give him jam and you have credulity, simplicity, longing for
friendship, tenderness, devotion to a small girl in a black frock, a
heart big as the world. See him on Good Friday afternoon, laughing,
eagerly questioning, a boy--see him on Good Friday night, grim, legs
stiff, eyes cold as stones, a man--no easy thing for Mrs. Pascoe's
blowzy thunderings to conquer, but something vastly amusing apparently
to grandfather Westcott to watch.
He discovered that the sun rose about six o'clock, and therefore five
o'clock on Easter morning found him shivering, in the desolate garden
with his nose pressed to the little wooden gate. The High Road crossed
the moor at no great distance from him, but the faint grey light that
hung like gauze about him was not yet strong enough to reveal it. He
would hear them as they passed and they must all go up that road on the
way to the hill. In the garden there was darkness, and beyond it in the
high shadow of the house and the surrounding trees, blackness. He could
smell the soil, and his cheeks were wet with beads of moisture; very
faintly the recurrent boom of the sea came through the mist, dimmed as
though by thick folds of hanging carpet.
Suddenly the dark trees by the house, moved by a secret wind, would
shudder. The little black gate slowly revealed its bars against the sky
as the grey shadows lightened. Then there were voices, coming through
the dark shut off, like the sea, by the mist--strange voices, not human,
but sharing with the soil and the trees the mysterious quality of the
night. The voices passed up the road--silence and then more voices.
Public-domain text, read in full here on John Shaqi.
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