Adventure stories; British -- Spain -- Fiction; Swordsmen -- Fiction
In obedience to this request, I went forth to the stable to procure
the rapier of Ferrara steel. Upon returning with it into the room, I
found that a goodly space had been cleared in the centre. Both parties
to the duello were standing therein stripped of their doublets. The
spectators, exceeding a score in number, were seated on settles which
were ranged close to the wall.
It was curious to observe the looks of mingled contempt, pity, and
derision of these persons when I approached the Englishman and handed
to him the Italian rapier. Some of them were unable to repress their
mirth. They laughed out loudly, as though my action was the height of
the ridiculous.
Before I had taken the chair that was offered to me, these adversaries
had crossed their swords. If I live to be an hundred years old I shall
never forget the battle that ensued. At the first shock of steel
against steel it was clear that each recognized in the other a foremost
swordsman of the age.
The knowledge did not induce fury nor any kind of excitement. It
rendered them calmer, more wary, and subtle than they would have been
otherwise. And the gentlemen present, each of whom, as the Count of
Nullepart informed me, was a master of the sword, began soon to realize
that one of their peers had come quite unexpectedly into their midst.
It was not all at once that this was made clear to them. At first
they regarded the contest with smiles that were merely mocking and
incredulous. Naturally it seemed the extreme of presumption that such a
fellow, whose manners and appearance were so barbarous, should venture
to stand up with a delicate and slender Italian weapon before the first
swordsman of the time. But so soon as their true blades had met, the
company began to exchange significant glances one with another, and
in a very little while they realized that this was no tyro who stood
before them.
From the first it was beautiful play. Owing to his stature, it was
necessary that the Englishman should lose something of elegance
in the comparison with his inimitable adversary, but, stroke and
counterstroke, they were perfectly matched.
The spectators inclined to the opinion at first that Monsieur du
Bartas, for that was the name of their champion, the foremost in all
France, was not putting forth the whole of his art; but when presently
they came to perceive how easily his deftest strokes were turned aside,
they began to waver.
It was a long duello, yet it was one of which every phase was
memorable. These two wonderfully accomplished men began to weave a
spell upon their audience; and as their actions grew quicker and the
finer shades of their play declared themselves, the spectators began to
lean forward out of their seats, and with the loud and ringing music of
the steel was mingled “bravas” and all kinds of applause.
Public-domain text, read in full here on John Shaqi.
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