Adventure stories; British -- Spain -- Fiction; Swordsmen -- Fiction
I cannot say with what enchantment we watched this fair and imperious
thing ascend the stairs of the inn to her chamber.
“That is a sweet quean,” said the Count of Nullepart, calling for a new
bottle of wine.
“And a brave, forsooth,” said I. “What, I wonder, can be her degree?”
“To-morrow,” said the Count of Nullepart, “will unmask this fair
unknown.”
“How singular it is,” said I, “that she should ride unattended over the
country and in these unseasonable hours.”
“To-morrow we shall understand it all,” said the Count of Nullepart.
“Then shall we learn to what high destiny we are called.”
“I am deceived,” said I, “if there is not to be a great work toward. By
my faith, how beautiful she is!”
“Aye,” said the count, with one of his melancholy glances, “she is
indeed the Proud Princess. Therefore I expect to-morrow will not dawn
for us. We shall fall asleep over our wine, you and I, my dear Don
Miguel, and awake to find that there is an end to our dreams. We shall
find the bird flown.”
“She will have to fly out at the window, then, Sir Count.”
“Yes; doubtless she will prefer to do that. For there never was a bird
so beautiful, so graceful, so touched with the soft hues of romance
that the soul of a man was able to keep it before it to gaze upon. This
is some princess out of an Arabian story. We shall find, dear friend,
that there is no flesh and blood in her. She came to us out of the
air, and to-morrow at dawn we shall find her resolved again into that
element.”
“In the meantime we will be of good courage, Sir Count, and dream upon
her--”
“In all her lily-white daintiness, which was never so dustily and
coarsely clad.”
The Count of Nullepart took forth his music yet again, and played a
final melody; one which in grave sweetness and fantasy and delicacy
of passion was more than equal to all the others. We then drained our
cups and fell into slumber presently, with our heads on the table at
which we sat.
I suppose we must both have been dreaming of that vision that had made
poetry of our ideas, and I suppose that proud and beautiful face, which
was yet so bright with youth, and so grave with its coquetry, may even
have revealed itself through the mists of the brain, for at some hour
towards two of the clock of the summer’s darkness we sprang to our feet
with that imperious voice in our ears.
“To me, my friends, to me!” was the cry we heard.
Together we sprang from the settle, and ran to the stairs.
“To me, my friends, to me!” we heard the cry again. It was clear and
spreading, yet withal it was the voice of a child.
Running pell-mell up the dark stairs, for as yet the dawn had made no
sign, we found standing at their head, as staunch as a spear, the small
princess we were pledged to serve. Above her head she held a taper.
Public-domain text, read in full here on John Shaqi.
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