Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
Accumulated evidence may be said to establish
itself in the light of investigation and experience and
becomes more and more a certainty when considered,
reviewed and discussed in connection with a chronological
history of the "gall" inks since they came
into semi-official and other uses centuries ago.
Descriptions of MSS. containing ink writings hundreds
of years old, many of them as legible as when first
written, are silent witnesses whose testimony cannot
be assailed. Such information when assembled
together minimizes many of the conditions which have
existed and interposed in preventing during the last
four decades a general adoption or re-adoption of
such a tanno-gallate of iron ink, the lasting qualities
of which some of our forefathers estimated would,
and as we know have stood the test of time.
Assuming this character of ink to have been employed
in past centuries, the cause or causes for the
differentiations in respect to color and durability become
of paramount importance.
The investigations of the writer in this direction,
while in some respects traveling the same road followed
by others, diverged from them and has been
more in the nature of a comparative analytical and
microscopic examination of ancient with ancient and
modern with modern documents in connection with
numerous chemical experiments, the manufacture of
hundreds of inks and the study of their time and
other phenomena.
To accomplish this, ancient documents not written
with "Indian" ink, but with those obviously containing
combinations of iron and galls or other tannins,
were selected and grouped into color families.
They began with the fourteenth century, continuing
well into the nineteenth, to the number of nearly
four hundred, each of them of a different date
and different year. Some of them were so pale
and indistinct as to be illegible, others less so
and by gradual steps they approached to a definite
black; many of them as rich and deep in color as if
they had been written not centuries ago but within
a few years. Signatures on the same document represented
different degrees of color, so that the question
of the material on which the writing appeared affecting
the appearance of the ink, was not a factor; but
the difference in the inks used to make the signatures
was the determining factor.
At this point it may be noted that the investigations
conducted by Mr. Swan before referred to and those
by the writer and the resultant observations of each
were substantially alike. Many of the writer's, however,
preceded those of Mr. Swan's, for during the
years 1885 and 1886, having had the custody of part
of the Archives of the City of New York there were
many opportunities to study this subject which were
taken advantage of, before and after which time
frequent examinations were made of writings much
more ancient than those pertaining to New York.
Public-domain text, read in full here on John Shaqi.
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