Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The practical utility of logwood as the base for an
ink was a discovery of Runge in 1848, who found
that a dilute solution of its coloring matter, to which
had been added a small quantity of neutral chromate
of potassium, produced a deep black liquid which apparently
remained clear and did not deposit any sediment.
This composition became very popular on
account of its cheapness and dark purple color. It
is of a fugitive character, though, and has passed almost
entirely out of commercial use.
CHAPTER XXI.
ANCIENT AND MODERN INK RECEIPTS.
"INDIAN" INK--SPANISH LICORICE--BITUMEN--CARBON
FROM PETROLEUM--PROCESS TO OBTAIN GALLIC
ACID--EFFECT OF SUGAR IN INK--DARK COLORED
GALLS BEST FOR INK MAKING--SUBSTITUTES FOR
GALLS--RELATIVE PROPORTIONS OF IRON AND
GALLS--ANECDOTE OF PROFESSOR TRIALL--
ESTIMATION OF SULPHATE OF COPPER--QUAINT INK
RECIPE--RIBAUCOURT'S INK--HORSELEY'S INK--
ELSNER'S INDELIBLE MARKING INK--BLACK INK FOR
COMMON AND COPYING USES--COMMON BLACK
INK--SHINING BLACK INK--PROCESS FOR "BEST"
INK--INDELIBLE BLACK INK WITHOUT GALLS OR
IRON--INK POWDER--STEEL PEN INK--SOME EARLY
LITERATURE OF THE COAL TAR PRODUCTS--INK PLANT
OF NEW GRANADA--"IMPERISHABLE" INK--FIRE-
PROOF INK--"INERADICABLE" INK--EXCHEQUER
INK--"PERMANENT" RED INK--SUBSTITUTE FOR "INDIAN"
INK--TO PREVENT INK FREEZING--BACTERIA
IN INK--GOLD AND OTHER INKS USED FOR ILLUMlNATING.
INNUMERABLE receipts and directions for making
inks of every kind, color and quality are to be found
distributed in books more or less devoted to such subjects,
in the encyclopaedias, chemistries, and other scientific
publications. If assembled together they would
occupy hundreds of pages. Those cited are exemplars
indicating the trend of ideas belonging to different
nations, epochs, and the diversity of materials. They
can also be considered as object lessons which conclusively
demonstrate the dissatisfaction always existing
in respect to the constitution and modes of ink admixture.
Many of them are curious and are reproduced
without any amendments.
"Indian ink is a black pigment brought hither
from China, which on being rubbed with water,
dissolves; and forms a substance resembling ink;
but of a consistence extremely well adapted to the
working with a pencil-brush, on which account it
is not only much used as a black colour in miniature
painting; but is the black now generally made
use of for all smaller drawings in chiaro obscuro
(or where the effect is to be produced from light
and shade only).
"The preparation of Indian ink, as well as of
the other compositions used by the Chinese as
paints, is not hitherto revealed on any good authority;
but it appears clearly from experiments
to be the coal of fish bones, or some other vegetable
substance, mixed with isinglass size, or other
size; and most probably, honey or sugar candy to
prevent its cracking. A substance, therefore, much
of the same nature, and applicable to the same
purposes, may be formed in the following manner.
Public-domain text, read in full here on John Shaqi.
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