Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"This composition possesses a permanent colour,
and a MSS. written with it, may be exposed to the
process commonly used for restoring the colour of
printed books, without injury to the writing. In
this manner interpolations with common ink may
be removed."
* * * * * * * *
Boil parchment slips or cuttings of glove
leather, in water till it forms a size, which, when
cool, becomes of the consistence of jelly, then,
having blackened an earthern plate, by holding it
over the flame of a candle, mix up with a camel
hair pencil, the fine lamp-black thus obtained, with
some of the above size, while the plate is still
warm. This black requires no grinding, and produces
an ink of the same colour, which works as
fregy with the pencil, and is as perfectly
transparent as the best Indian ink."
* * * * * * * *
"Instead of water use brandy, with the same
ingredients which enter into the composition of
any ink, and it will never freeze."
* * * * * * * *
"Bacteria in Ink--According to experiments
which have recently been completed at Berlin and
Leipzig by the leading bacteriologists of Germany
the ordinary inks literally teem with bacilla of a
dangerous character, the bacteria taken therefrom
sufficing to kill mice and rabbits inoculated therewith
in the space of from one to three days."
* * * * * * * *
"The most easy and neat method of forming
letters of gold on paper, and for ornaments of
writing is, by the gold ammoniac, as it was formerly
called: the method of managing which is as
follows:
"Take gum ammoniacum, and powder it; and
then dissolve it in water previously impregnated
with a little gum arabic, and some juice of garlic.
The gum ammoniacum will not dissolve in water,
so as to form a transparent fluid, but produces a
milky appearance; from whence the mixture is
called in medicine the lac ammoniacum. With the
lac ammoniacum thus prepared, draw with a pencil,
or write with a pen on paper, or vellum, the
intended figure or letters of the gilding. Suffer the
paper to dry; and then, or any time afterwards,
breath on it till it be moistened; and immediately
lay leaves of gold, or parts of leaves cut in the
most advantageous manner to save the gold, over
the parts drawn or written upon with the lac
ammoniacum; and press them gently to the paper
with a ball of cotton or soft leather. When the
paper becomes dry, which a short time or gentle
heat will soon effect, brush off, with a soft pencil,
or rub off by a fine linen rag, the redundant gold
which covered the parts between the lines of the
drawing or writing; and the finest hair strokes of
the pencil or pen, as well as the broader, will appear
perfectly gilt."
Public-domain text, read in full here on John Shaqi.
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