Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
History has not given us the names of ancient ink
makers; but we can believe there must have been
during a period of thousands of years a great many,
and that the kinds and varieties of inks were without
number. Those inks which remain to us are to be
found only as written with on ancient MSS.; they
are of but few kinds, and in composition and appearance
preserve a phenomenal identity, though belonging
to countries and epochs widely separated. This
identity leads to the further conclusion that ink making
must have been an industry at certain periods,
overlooked by careful compounders who distributed
their wares over a vast territory.
"Gall" ink and "linen" paper as already stated are
Asiatic inventions. Both of them seem to have entered
Europe by way of Arabia, "hand in hand" at the very
end of the eleventh or beginning of the twelfth centuries
and for the next two hundred years, notwithstanding
the fact that chemistry was almost an unknown science
and the secrets of the alchemists known only to the
few, this combination gradually came into general
vogue.
In the fourteenth century we find one or both of
them more or less substituted for "Indian" ink, parchment,
vellum and "cotton" paper. It was, however,
the monks and scribes who manufactured for their
own and assistants' use "gall" ink, just as they had
been in the habit of preparing "Indian" ink when
required, which so far as known was not always a
commodity.
As an industry it can be said to have definitely
begun when the French government recognized the
necessity for one, A. D. 1625, by giving a contract
for "a great quantity of 'gall ink' to Guyot," who
for this reason seems to occupy the unique position
of the father of the modern ink industry.
Ink manufacture as a growing industry heretofore
and to a large extent at present, occupies a peculiarly
anomalous situation. Other industries follow the law
of evolution which may perhaps bear criticism; but
the ink industry follows none, nor does it even pretend
to possess any.
Thousands are engaged in its pursuit, few of whom
understand either ink chemistry or ink phenomena.
The consumer knows still less, and with blind confidence
placidly accepts nondescript compounds labeled
"Ink," whether purchased at depots or from "combined"
itinerant manufacturing peddlers and with
them write or sign documents which some day may
disturb millions of property. And yet in a comparative
sense it has outpaced all other industries.
With the commencement of the eighteenth century
we find the industry settling in Dresden, Chemnitz,
Amsterdam, Berlin, Elberfield and Cologne. Still
later in London, Vienna, Paris, Edinburgh and Dublin,
and in the first half of the nineteenth century in
the United States, it had begun to make considerable
progress.
Public-domain text, read in full here on John Shaqi.
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