Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
been admitted as a partner and their warehouse and
offices at this time were located at Nos. 127 and 129
William street, where a business of enormous proportions,
which includes the manufacture of thirty-three
inks and other products, is still carried on at the
present day under the name and style of "Thaddeus
Davids, Co." The old "Davids' Steel Pen Ink" continues
to be manufactured from the original formula
and is the only tanno-gallate of iron ink they make,
WITHOUT "added" color.
The Paris house of "Antoine" as manufacturers of
writing inks dates from 1840. They are best known
as the makers of the French copying ink, of a violet-
black color, made from logwood, which was first put
on the market in 1853 under the name of Encres
Japonaise. In 1860 an agency was established in
New York City. They make a large variety of writing
inks but do not offer for sale a tanno-gallate of
iron ink without "added" color.
"Carter's" inks came into notoriety in 1861, by the
introduction of a "combined writing and copying
ink," of the gall and iron type and included "added "
color. It was the first innovation of this character.
At the end of the Civil War, John W. Carter of Boston,
who had been an officer of the regular army,
purchased an interest in the business, associating with
himself Mr. J. P. Dinsmore of New York, the firm
being known as Carter, Dinsmore & Co., Boston, Mass.
In 1895 Mr. Carter died and Mr. Dinsmore retired
from the business. The firm was then incorporated
under the style of "The Carter's Ink Co." They do
an immense business and make all kinds of ink. Of
the logwoods, "Raven Black" is best known. When
the state of Massachusetts in 1894 decided that recording
officers must use a "gall" ink made after an
official formula, they competed with other manufacturers
for the privilege of supplying such an ink and
won it. They do not offer for sale, however, "gall"
ink WITHOUT added color. Their laboratories are
magnificently equipped; the writer has had the pleasure
of collaborating with several of their expert chemists.
The "Fabers," who date back to the year 1761, are
known all over the world as lead pencil makers. They
also manufacture many inks and have done so since
1881, when they built now factories at Noisy-le-Sac,
near Paris. Blue-black and violet-black writing and
copying inks of the class made by the "Antoines"
are the principal kinds. They do not offer for sale,
tanno-gallate of iron ink without "added" color. A
branch house in New York City has remained since
1843.
"Stafford's" violet combined writing and copying
ink was first placed on the New York market in
1869, though it was in 1858 that Mr. S. S. Stafford,
the founder of the house, began the manufacture of
inks, which he has continued to do to the present
day. His chemical writing fluids are very popular,
but he does not make a tanno-gallate of iron ink
without "added" color, for the trade.
Public-domain text, read in full here on John Shaqi.
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