Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
This triumph of the forger's art, I examined in the
city of San Francisco and although it was not, the first
time I had been brought into contact with the work of
Becker, was compelled to admit that this particular
specimen was almost perfect and more nearly so with a
single exception than any other which had come under
my observation. Becker was a sort of genius in the juggling
of bank checks. He knew the values of ink and
the correct chemical to affect them. His paper mill
was his mouth, in which to manufacture specially
prepared pulp to fill in punch holes, which when
ironed over, made it most difficult to detect even with
a magnifying glass. He was able also to imitate
water marks and could reproduce the most intricate
designs. He says he has reformed.
During the last twenty years quite a number of
cases have been tried in New York City and vicinity
in which the question of inks was an all important one.
The titles of a few not already referred to are given.
herewith: Lawless-Flemming, Albinger Will, Phelan-
Press Publishing Co., Ryold, Kerr-Southwick, N. Y.
Dredging Co., Thorless-Nernst, Gekouski, Perkins,
Bedell forgeries, Storey, Lyddy, Clarke, Woods,
Baker, Trefethen, Dupont-Dubos, Schooley, Humphrey,
Dietz-Allen, Carter, and Rineard-Bowers.
CHAPTER XXV.
INK UTENSILS OF ANTIQUITY.
THE GRAVING TOOL PRECEDES THE PEN--CLASSIFICATION
UNDER TWO HEADS, ONE WHICH SCRATCHED AND THE
OTHER WHICH USED AN INK--THE STYLUS AND THE
MATERIALS OF WHICH IT WAS COMPOSED--POETICALLY
DESCRIBED--COMMENTS BY NOEL HUMPHREYS--RECAPITULATION
OF VARIOUS DEVICES BY KNIGHT--BIBLICAL
REFERENCES--ENGRAVED STONES AND OTHER
MATERIALS THE EARLIEST KINDS OF RECORDS--WHEN
THIN BRICKS WERE UTILIZED FOR INSCRIPTION
PURPOSES--METHODS EMPLOYED BY THE CHINESE--
HILPRECHT'S DISCOVERIES--THE DIAMOND AS A SCRATCHING
INSTRUMENT--HISTORICAL INCIDENT WRITTEN
WITH ONE--BIBLICAL MENTION ABOUT THE DIAMOND--
WHEN IT BECAME POSSIBLE TO INTERPRET
CHARACTER VALUES OF ANCIENT HIEROGLYPHICS--DISCOVERY
OF THE ROSETTA STONE AND A DESCRIPTION OF
IT--SOME OBSERVATIONS ABOUT CHAMPOLLION AND
DR. YOUNG WHO DECIPHERED IT--ITS CAPTURE BY
THE ENGLISH AND PRESERVATION IN THE BRITISH
MUSEUM--EMPLOYMENT OF THE REED PEN AND PENCIL-
BRUSH--THE BRUSH PRECEDED THE REED PEN--THE
PLACES WHERE THE REEDS GREW--COMMENTS BY
VARIOUS WRITERS--METHOD OF FORMING THE REED
INTO A PEN--CONTINUED EMPLOYMENT OF THEM IN
THE FAR EAST--THE BRUSH STILL IN USE IN CHINA
AND JAPAN--EARLIEST EXAMPLES OF REED PEN WRITING--
WHEN THE QUILL WAS SUBSTITUTED FOR THE
REED--REED PENS FOUND IN THE RUINS OF
HERCULANEUM--ANECDOTE BY THE ABBE, HUC.
THE instruments of antiquity employed in the art
of writing belong to two of the most distant epochs.
Public-domain text, read in full here on John Shaqi.
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