Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"The geese are plucked of their feathers three
or four times a year, the first time for the sake both
of the quills and the feathers, but the other times
for the feathers only. The pen quills are generally
taken from the ends of the wings. When plucked
the quills are found to be covered with a membranous
skin, resulting from a decay of a kind of
sheath which had enveloped them; the interior
vascular membrane, too, resulting from the decay
of the vascular pith, adheres so strongly to the barrel
of the quill as to be with difficulty separated,
while, at the same time, the barrel itself is opaque,
soft, and tough. To remove these various defects
the quills undergo several processes. In the first
instance, as a means of removing the membraneous
skin, the quills are plunged into heated sand, the
high temperature of which causes the external skin
of the barrel to crack and peel off, and the internal
membrane to shrivel up. The outer membrane
is then scraped off with a sharp instrument,
while the inner membrane remains in a state to be
easily detached. For the finest quills the heating
is repeated two or three times. The heat of the
sand, by consuming or drying up the natural
moisture of the barrel, renders it harder and more
transparent. In order to give the barrel a yellow
color, and a tendency to split more readily and
clearly, it is dipped in weak nitric acid, but this
was considered to render the quill more brittle and
less durable, and was therefore a sacrifice of utility
for the sake of appearance."
"Oh! nature's noblest gift--my gray goose quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!"
BYRON.
To locate an exact period for the invention of the quill
pen is impossible. It could hardly have been in use
before the fourth century, probably not earlier than
two centuries later. Some writers have assumed that
it was employed by the Romans, but as no distinct
mention is made of them by early classical authors we
must accept the only information at hand.
Isidore (died A. D. 636) and contemporaries state
that the quills of birds came into use as pens only in
the sixth century. It is also known, St. Brovverus
being the authority, that in his time (seventh century)
the calamus or reed pen and the quill pen were
employed together, the calamus being used in the
writing of the uncial (inch) letters and capitals, and
the quill for smaller letters. Mention is also made by
many writers of the five centuries which followed
Isidore's time of the calamus, indicating that
notwithstanding it had been superseded by the quill
it was still a favorite writing implement in some places.
Public-domain text, read in full here on John Shaqi.
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