Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
OF PREPARING PARCHMENT AND VELLUM--CITATION
FROM THE PENNY CYCLOPaeDIA--PASSAGE FROM A
SERMON OF THE ARCHBISHOP OF TOURS--ANECDOTE
ABOUT THE COUNT OF NEVERS.
THE great abundance of papyrus in Egypt, the
chief source of its supply, the genius and magnificence
of the rulers of that country, and the army of
learned men who resorted thither, caused it to become
the principal home of those immense libraries of antiquity
already mentioned as having perished by fire
and tumults included in periods between B. C. 48 and
A. D. 640.
The Pergamus library which was deposited by
Cleopatra, B. C. 32, in the city of Alexandria, is said
to have been composed almost wholly of parchment
written volumes. The reason or cause of such employment,
of parchment in preference to papyrus is
attributed to jealousies existing between Eumenes,
King of Pergamus, and Ptolemy Philadelphus, the
ruler of Egypt, contemporaries of each other.
This Ptolemy, B. C. 202, issued an edict prohibiting
the exportation of papyrus from Egypt, and hoped
thereby to rid himself of foreign rivals in the formation
of libraries; also that he might never be subject
to the inconvenience of wanting paper for the multitude
of scribes whom he kept constantly employed,
both to write original manuscripts as well as to multiply
them by duplication.
Before this period the exportation of papyrus had
been a very considerable article of Egyptian commerce,
but thereafter it became much curtailed, and
about A. D. 950 had ceased altogether.
Eumenes, it appears, was not to be deterred from
his favorite study and pastime, so lie contrived a peculiar
mode of dressing skins, which seems to have
answered very fully the requirements of fluid-ink
writing methods and thus avoiding the necessity of
employing paints, the only material which would
"bind" to undressed parchment (skins).
That the refined and luxurious Romans, after the
introduction of parchment, vellum, and paper, insisted
on an improvement in quality and appearance is certain.
This appears from various passages in their best authors.
Ovid, writing to Rome from his place of exile,
complains bitterly that his letter must be sent plain,
simple, and without the customary embellishments.
We can safely date the first step towards the modern
form of books to the introduction of dressed skins
(parchment and vellum), as surfaces to receive ink
writing. These materials could be formed into leaves,
instead of metal, wood, ivory, or wax tablets, a use to
which papyrus could not be put on account of its brittleness.
Thus originated the libri quadrali, or square
books, which eventually superseded the ancient volumina
(rolls).
Parchment and vellum gradually superseded all
other substances in Europe as a general material
for writing upon, after the third or fourth century.
The employment of papyrus, however, in ecclesiastical
centers continued even as late as the eleventh
century.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account