Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"At the foundation of Winchester College, one
or more transcribers were hired and employed by
the founder to make books for the library. They
transcribed and took their food within the college,
as appears by computation of expenses on their
account now remaining. But there are many indications
that even kings and nobles had not the advantage
of scholars by profession, and, possessing
few books of their own, had sometimes to borrow
of their more favoured subjects."
We learn from another source that the great not
only procured books by purchase, but employed transcribers
to make them for their libraries. The manuscript
expense account of Sir John Howard, afterwards
Duke of Norfolk, shows in 1467, Thomas Lympnor,
that is Thomas the Limner of Bury, was paid the sum
of fifty shillings and two pence for a book which he
had transcribed and ornamented, including the vellum
and binding. The limner's bill is made up of a number
of items, "for whole vignettes, and half-vignettes,
and capital letters, and flourishing and plain writing."
These transcribers and limners worked principally
upon parchment and vellum, for the use of paper was
by no means extensive until the invention of the art
of printing. Some of the old manuscripts contain
drawings representing a copier or transcriber at work,
where the monk is represented as provided with a
singular and tolerably complete set of apparatus to
aid him in his work. The desk for containing the
sheet or skin on which he is writing, the clasp to keep
this sheet flat, the inkstand, the pen, and the knife,
the manuscript from which the copy is being made,
the desk for containing that manuscript, and the
weight for keeping it in its place,--all are shown, with
a clearness which, despite of bad perspective, renders
them quite intelligible.
Of the two substances, parchment and vellum, before
the invention of paper, another word or two may be
said. Parchment is made from the skin of sheep or
lambs; vellum, from that of very young calves (sometimes
unborn ones), but the process of preparing is
pretty much the same in both cases. When the hair
or wool has been removed, the skin is steeped in lime
water, and then stretched on a square frame in a light
manner. While so stretched, it is scraped on the
flesh side with a blunt iron, wetted with a moist rag,
covered with pounded chalk, and rubbed well with
pumice stone. After a time, these operations are
repeated, but without the use of chalk; the skin is
then turned, and scraped on the hair side once only;
the flesh side is then scraped once more, and again
rubbed over with chalk, which is brushed off with a
piece of lambskin retaining the wool. All this is
done by the skinner, who allows the skin to dry on a
frame, and then cuts it out and sends it to the parchment
maker, who repeats the operation with a sharper
tool, using a sack stuffed with flocks (wool or hair) to
lay the skin upon, instead of stretching it on a frame.
Public-domain text, read in full here on John Shaqi.
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