Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
There are three classes of wood pulp; mechanical
wood, soda process, and the sulphite. The first or
mechanical wood is a German invention of 1844,
where the logs after being cut up into proper blocks,
were then ground against a moving millstone against
which they were pressed and with the aid of flowing
water reduced to a pulpy form. This pulp was
transported into suitable tanks and then pumped to
the "beaters."
The soda process wood and sulphite wood pulp are
both made by chemical processes. The first was
invented by Meliner in 1865. The preparation of
pulp by this process consists briefly in first cutting up
the logs into suitable sections and throwing them
into a chipping machine. The chips are then introduced
into tanks containing a strong solution of
caustic soda and boiled under pressure.
The sulphite process is substantially the same except
that the chips are thrown into what are called
digesters and fed with the chemicals which form an
acid sulphite. The real inventor of this latter process
is not known.
The chemicals employed in both of these processes
compel a separation of the resinous matters from the
cell tissues or cellulose. These products are then
treated in the manufacturing of paper with few variations,
the same as the ordinary rag pulp.
These now perfected processes are the results of long
and continuing experimentations made by many inventors.
The following paper was read before the London
Society of Arts by Mr. Alfred Glyde, in May, 1850,
and is equally applicable to some of the wood paper
of the present day:
Public-domain text, read in full here on John Shaqi.
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