Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"The gradual development of paper-making in
Europe is but imperfectly presented through these
fragmentary facts. Paper may have been made for
many years before it found chroniclers who thought
the manufacture worthy of notice. The Spanish
paper-mills of Toledo which were at work in the
year 1085, and an ancient family of paper-makers
which was honored with marked favor by the king
of Sicily in the year 1102, are carelessly mentioned
by contemporary writers as if paper-making was an
old and established business. It does not appear
that paper was a novelty at a much earlier period.
The bulls of the popes of the eighth and ninth centuries
were written on cotton card or cotton paper,
but no writer called attention to this card, or described
it as a new material. It has been supposed
that this paper was made in Asia, but it could
have been made in Europe. A paper-like fabric,
made from the barks of trees, was used for writing
by the Longobards in the seventh century, and a
coarse imitation of the Egyptian papyrus, in the
form of a strong brown paper, had been made by
the Romans as early as the third century. The
art of compacting in a web the macerated fibres of
plants seems to have been known and practised to
some extent in Southern Europe long before the
establishment of Moorish paper-mills.
"The Moors brought to Spain and Sicily not an
entirely new invention, but an improved method of
making paper, and what was more important, a culture
and civilization that kept this method in constant
exercise. It was chiefly for the lack of ability
and lack of disposition to put paper to proper use
that the earlier European knowledge of paper-
making was so barren of results. The art of book-
making as it was then practised was made subservient
to the spirit of luxury more than to the desire
for knowledge. Vellum was regarded by the copyist
as the only substance fit for writing on, even
when it was so scarce that it could be used only for
the most expensive books. The card-like cotton
paper once made by the Saracens was certainly
known in Europe for many years before its utility
was recognized. Hallam says that the use of this
cotton paper was by no means general or frequent,
except in Spain or Italy, and perhaps in the south
of France, until the end of the fourteenth century.
Nor was it much used in Italy for books.
Public-domain text, read in full here on John Shaqi.
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