Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The information of these increasing demands for ancient
documents of any kind spread over Europe and
portions of Asia, bringing into Florence a great
quantity of them, as well as many scholars and copyists.
Shiploads of the works of the Byzantine historians
arrived from the Golden Horn, and the city
became a vast manufactory for duplicating or forging
ancient MSS. Parchment and vellum were too costly
to employ very much, so most of them were of paper.
Vespaciano, one of the many engaged in this business
and who lived in 1464, found it necessary in order to
reduce the cost of production, to become a paper merchant.
In writing to a friend he says:
"I engaged forty-five copyists and in twenty-
two months had completed two hundred volumes,
which included some Greek and Latin as well as
many Oriental writings."
The reading and judging of manuscripts are now
known as the science of diplomatics. To determine
their antiquity or genuineness requires the nicest distinctions
and care, irrespective of alleged dates (whether
exhibited by Roman numbers or the Arabic one which
we continue to employ, and which first made their
appearance near the commencement of the twelfth
century). The inks as already mentioned and used
on them, as we shall see, serve fully as much in estimating
authenticity or genuineness as does combined
together,--the style of the writing, the miniatures,
vignettes and arabesques (if any), the colors, covers,
materials, ornamentation and the character of their
contents.
With the re-establishment of learning in the fifteenth
century and the creation of alleged stable governments,
who may perhaps have realized the necessity
for an ink of enduring good commercial and record
qualities, so-called "gall" inks were chosen as best
possessing them, and were made and employed with
varying results even more than the ancient "Indian"
inks.
Mediaeval practices in relation to ink and other
writing materials as well as the monastic libraries of
which England, France, Germany and Italy possessed
many during the thirteenth, fourteenth, and more
particularly the fifteenth centuries, were governed by
established rules.
Public-domain text, read in full here on John Shaqi.
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