Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Some ingenious experiments to test the durability
of writing inks have recently been made by
Dr. Chilton, of New York City. He exposed a
manuscript written with four different inks of the
principal makers, of this and other countries, to the
constant action of the weather upon the roof of his
laboratory. After an exposure of over five months,
the paper shows the different kind of writing in
various shades of color. The English sample,
Blackwood's, well known and popular from the
neat and convenient way that it is prepared for
this market, was quite indistinct.
"The American samples, David's, Harrison's
and Maynard's are better. The first appears to
retain its original shade very neatly; the two last
are paler. This test shows conclusively the durability
of ink; and while, for many purposes, school
and the like, an ink that will stand undefaced a
year or so, is all that is necessary, yet there is
hardly a bottle of ink sold, some of which may not
be used in the signature or execution of papers that
may be important to be legible fifty or one hundred
years hence.
"For state and county offices, probate records,
etc., it is of vital importance that the records should
be legible centuries hence. We believe that some
of the early manuscripts of New England are
brighter than some town and church records of this
century.
"In Europe at the present time, great care is
taken by the different governments in the preparation
of permanent ink--some of them even compounding
their own, according to the most approved
and expensive formulas.
"Manuscripts of the eleventh and twelfth centuries
now in the state paper office of Great Britain,
are apparently as bright as when first written;
while those of the last two hundred years are more
or less illegible, and some of them entirely obliterated."
While the information sought to be conveyed in the
last statement may be in some respects correct, it must
be remembered that most of the MSS. extant dating before
the thirteenth century were written in "Indian"
ink, while the great majority of those of the last two
hundred years were not; and this fact alone would
account to some extent for the differences mentioned.
The German (Prussian) government in 1859, as the
result of an investigation, employed what they termed
"Official Ink of the First Class," i. e., a straight tanno-
gallate of iron ink without added color; and if permanence
were required as against removal by chemicals,
it was accomplished by writing on paper saturated
with chromates and ultramarine.
In 1871 Professor Wattenbach of Germany published
a treatise entitled "Archives during the Middle
Ages," which has some valuable references to the color
phenomena of inks.
Public-domain text, read in full here on John Shaqi.
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