Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
" 'We advise generally against the inks known
simply as writing fluids--those not intended to
yield a letter-press copy--because they are universally
made, first, with as little solid matter as
possible,--i. e. weak; second, with an excess of
iron beyond that required to combine with the tannin,
so as to develop all the color possible and
flow with the greatest freedom. The combined
writing and copying fluids, and the copying fluids
on the other hand if properly made, may be justly
recommended where permanency is the first requisition,
particularly the older ones, which should be
the most durable of all nut-gall and iron inks, because
in them particularly concentration is aimed
at, and the iron need not necessarily, and should
not, be in excess of that required to combine with
the tannin present. A steel pen during use injures,
and often greatly, the durability of a writing ink
by giving up iron to it.
" 'For your purpose, where extreme permanency
is the first requisition, I should not advise the use of
an ordinary writing fluid. Many manufacturers
cannot obtain sufficient fluidity in their writing
fluids without making their inks very dilute, and
observing a particular method of manufacture
which, although providing more attained color for
a time, sacrifices the permanent quality of their
color in a great measure. I should advise the use
of an ink decidedly stronger.'
"The addition of water was almost universally
condemned, for reasons stated later. As proof
that this was not for the mercenary purpose of indirectly
advising the use of more ink, some of the
manufacturers said the ink should be kept in small-
mouthed ink-stands, and when not in use should
be as tightly sealed as possible, to prevent evaporation.
"In reply to the inquiry as to whether chemicals
left in the paper ever obliterated the ink, several
of the manufacturers said they knew of such cases,
and all were agreed that, if the chlorides used for
bleaching the paper were not washed out, they
would dangerously affect any ink. The practice
of mixing inks was universally condemned.
"Permanency against the action of time is the
quality sought for in this investigation, and it is
claimed that better evidence as to that quality is
furnished by the test of time than by any other;
and manufacturers have shown or referred to
specimens of writing made with their ink many
years ago, as proof of its merit in this particular.
If there was any surety that the standard of quality
was always kept up in all of the oldest inks on the
market, it would be safe to accept that test, but
this may not be a fact; and, as has been stated,
some of the recording officers believe that it is not.
Public-domain text, read in full here on John Shaqi.
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