After some explanations, it transpired that the groom was trying to
tell us that we had been hoaxed, and the gardener's boy was as well as
we were and everybody concerned. I could not help laughing when I
realized how completely we had been taken in. The elephant, the dogs,
and all the menagerie, including the parrots, had been produced to
make the uproar and trample down the bushes. The gardener had attended
to the shooting, and all the servants were in the plot, and each had
been carefully rehearsed (under threat of dismissal) by their mistress
for the practical joke played upon her guest. The reporter, I may add,
was the _chef_ in disguise.
When I saw Lady Meux, who was pretending to be too ill and upset
(owing to the shock to her nerves) to come down, I congratulated her
upon her scheme, for I could not but admire the extraordinarily clever
acting she had displayed for the furthering of her plot; the tears,
the stage hysterics, and the way she had worked herself up into a
frenzy until I could not tell whether it was assumed or real, were all
marvellously clever. But when I asked her the reason of her plan, she
told me her object was to frighten our friend, who was becoming
addicted to the habit of taking more alcohol than was good for him,
and by dint of doing so, she hoped to startle him into reconsidering
his life, and by the means of a good shock, awaken his power of
resistance to what was becoming a steady habit. I never discovered
what our friend thought, and what the result was, but I know he was
really frightened.
As well as her leanings in the direction of warrior heroes, Lady Meux
had a keen sense of humour; she wished me to caricature one of the
guests who arrived in the house-party after the tiger affair. One
evening I was inspired, and did a really funny caricature of him, and
thinking she would be pleased with it, as a surprise I placed it on
the mantelpiece, hoping she would see it when she came down to dinner.
As fate would have it, my subject came in first; and when I arrived a
little later, it had gone, so I asked him if he had seen a caricature
of himself that I had done at my hostess' special request; as it was
not ill-natured, I had no hesitation in referring to it before him.
"Oh," he answered grimly. "I've put it where it deserved to go--in the
fire!"
My friend, Charles H. F. Brookfield, was lunching with Whistler one
day, when the artist complained of the scarcity of money and
commissions, and Brookfield, remembering Lady Meux had said she would
like her portrait painted, said, "Cheer up, Jimmy; I've an idea."
With his usual cleverness and tact, he persuaded the lady that here
was a genius waiting to do her justice, and the affair was arranged.
Public-domain text, read in full here on John Shaqi.
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