About this time the Fielding Club opened, and was ably managed. A good
number of interesting men belonged, including Sir Edward Lawson,
Montagu Williams, Irving, Serjeant Ballantyne, Toole, and hosts of
others. Toole used to come to the club and play cards; I remember his
usual expression and comic way of saying, "_Cash here forward_," when
he was winning. He was inimitable, for his stock phrases were so
entirely his own.
There was a regular coterie that played poker there. Alfred Thompson,
Johnnie Giffard, Corney Grain, Tom Bird, Henry Parker, myself, and
others were devoted to the game. One member especially was extremely
lucky. He possessed a thorough knowledge of the game and his
opponents, and he had the most impassive face I have ever seen. No
trace of any expression other than that of calm impersonal enjoyment
ever escaped him. He was never known to get up from the table without
winning, and he made a regular income out of his "coups" at poker; but
as he cared nothing whether he won or lost, he finally ceased to play,
finding he had gained so much from his friends.
The club continued to be quite delightful until a number of the
"crutch and toothpick" element joined to watch the well-known "actor
chaps," as they called them, and with their entrance the club lost all
its charm and pleasant Bohemianism. Irving, among others, became aware
of the observing eye of these inquisitive youths, and discontinued
going to the club; others followed by degrees, and gradually the club
lost its popularity.
The idea of the Lyric Club, of which I was elected an honorary member,
was suggested by a small and defunct Bohemian club of that name. It
was opened on far more ambitious lines, however, having for its
chairman the distinguished sportsman and patron of the drama, Lord
Londesborough, who was well supported by a representative committee.
All went well for some time, and the entertainments, for which a
spacious theatre had been erected, were splendidly managed by Luther
Munday.
On the opening night there was a reception that went with a flourish
of trumpets, and shortly after Lord Londesborough gave a dinner at
which I sat next to Irving. Irving naturally gave life to the affair,
and I can remember a cigar that he gave me--I think the largest and
best I ever smoked.
These occasions were followed up by regular receptions when theatrical
performances frequently attracted the members. "The divine Sarah,"
Marie Tempest, Hollmann, and such geniuses brought large audiences,
and frequently these evenings were varied with the Guards' Band.
Everything was done, in fact, to make the club a success.
Public-domain text, read in full here on John Shaqi.
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