A number of well-known faces recur in my memory from the background of
the House! There was Robert Dalgleish, M.P., another jovial and most
popular member, who wore the longest finger nails I have ever seen
excepting on a Chinaman: Lord Cottesloe, who was the son of one of
Nelson's companions in arms, and whom I used to watch with great
interest as he came down the steps of the House of Lords: Viscount
Cole (now Lord Inniskillen), whom I knew as a boy at Eton: also
Viscount Dupplin, known as "Duppy," who was always smartly dressed and
wore white ducks in summer; he was celebrated for his knowledge of the
Chinese language.
_À propos_ of the caricature of the late Lord Alington, one of my
earliest, a very old friend of mine who was something of a busybody to
me, "There is something about Pellegrini's work that you ought to
study." I said, "I don't want to study anybody's work, only my
subjects." "Well," he replied, "don't be offended, old chap, it's only
to your advantage that I am saying this. Go and look at Pellegrini's
cartoon of Lord Alington in this week's _Vanity Fair_. There is
something in that which you never get." My only answer was, "You old
ass, go and look at it yourself and read the signature upon it," which
happened to be my own.
Amongst strongly-marked and characteristic faces I well remember Lord
Colonsay (Scotch law), who had a most beautiful mop of shining silver
hair; also the Rev. Francis E. C. Byng, afterwards Lord Stafford, who
was Chaplain to the House of Commons from '74 to '89. He was a little
man with great natural dignity, glossy curly black hair and a very
prominent chin. He was a perfect study for the caricaturist, and I
believe anything but a stereotyped parson. The late Chaplain, the Rev.
Basil Wilberforce, Archdeacon of Westminster Abbey, sat to me a few
years ago for _Vanity Fair_; I had observed him in the House of
Commons, and in his beautiful and most interesting home in Deans'
Yard. His unrivalled stateliness of bearing was combined with unusual
lightness of movement, and he was a most impressive figure, especially
on occasions of state ceremonial. I remember watching him with great
pleasure in his place in the Speaker's procession as it passed to the
House for prayers. There was no man in London who had such a following
in the pulpit. As a subject he was most interesting and very patient.
His gown in the reproduction is the best sample of three-colour work I
had had done, and he was so pleased with my drawing that he bought it.
Public-domain text, read in full here on John Shaqi.
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