Pellegrini was quite as individual in his outward appearance as he was
by temperament. In person he was little and stout, and extremely
fastidious. He always wore white spats, and their whiteness was ever
immaculate, for he rode everywhere, a fact which probably accounted
for his bad health in later years. His boots, too, were the acme of
perfection, and his nails were as long and pointed as those of a
Mandarin. He used to tell the story of his arrival in London, without
the proverbial penny, and how he wandered about the streets unable to
find a night's lodging, until, growing weary and desperate, he slept
in a cab. There were other stories of how he fought with Garibaldi,
having a charmed life while the bullets whistled past him, or of his
destined career of diplomacy, and of his Medici descent. One of the
most amusing characteristics of Pellegrini was the way in which he
related an anecdote. His expressive eyes, which always seemed to be
observing everything, would commence to flash before the words came;
and his English, which was ever poor, stumbled and tripped, for
although he was rather too quick to recollect slang terms, his grammar
remained appalling, but delightfully naïve. As the story progressed
his eyes would roll and flash, and, working himself up into a frenzy
as Neapolitans do, he would become extremely excited, until when the
crisis came, the point of the story burst upon the listeners' ears
with a bomb-like suddenness. His own description of how he would treat
his enemy was inimitable. First he created his subject, and then
imagined him lying in terrible agony and poverty by the wayside, and
dying of thirst.
"I go up to 'im and I say, 'You thirsty?' and 'e say 'e die ... 'Ah!'
I reply, 'I go and fetch you some water.... I take it and 'old it to
'is lips ... then ... when 'is lips close on the brim ..." (here
Carlo's eyes would flash and distend)" ... I take the cup away and 'e
fall back and die!"
In reality, in spite of his melodramatic description, I expect
Pellegrini would have been the first to help the sufferer, for he had
a tender heart and the kindest of dispositions.
Our meeting at the Lawsons' was the beginning of a lasting friendship.
I became fond of "Pelican," as his friends called him, and always
found his company refreshing. There are innumerable stories to tell of
him, some hardly polite, but none the less entertaining. I think his
quaint English added to the humour of his narrative, his naïve
self-glorification and childish conceit added not a little to the
entertainment of his hearers.
A friend once said to him, "Pelican, I noticed in the picture of
D---- (a Colonel in the Blues) that 'Spy' has left out the spurs!"
"Ah," replied Carlo, smiting his chest with a blow of conscious pride,
"_I_ never make mistake in the _closes_."
As a matter of fact, D---- had stood in a position in which his spurs
were concealed.
Public-domain text, read in full here on John Shaqi.
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