"Please remember I am drawing you in profile," I would interject
occasionally, as he turned his face to me, and each time he would try
to remember, apologize for his nether garments, and his forgetfulness,
raising his hat and bowing to me at every apology. Why he was so
conscious of his clothes I do not know, unless he found their cut
necessary to Islington.
_À propos_ of clothes. After being at Tattersall's one day, I went
with Mr. Sterling Stuart to lunch, and afterwards we proceeded to his
dressing-room to choose a suit which he was to wear when I drew his
caricature. As he gave me a free hand I found one which attracted my
eye immediately; it was an old tweed with a good broad, brown stripe,
and I felt there was no question to which was the best for my purpose.
He appeared the next day in my studio looking the pink of perfection,
and as I surveyed him I suddenly realized with dismay that his
trousers did not match the incomparable coat. I drew his attention to
what I imagined was an oversight.
"Well, my boy! do you think," he said, "that the man who built that
coat could have lived to build the trousers too?"
[Illustration: THE REV. R. J. CAMPBELL.
1904.]
[Illustration: STERLING STUART
(_The Hatter_)
1904.]
[Illustration: FATHER BERNARD VAUGHAN.
1907.]
Not long after my cartoon of the Prince of Wales appeared, I was
passing by a tailor's shop and I saw a reproduction in the window.
Feeling slightly curious as to its exact object there, I went to look,
and on closer examination found that the ingenious tailor was using it
as a form of advertisement, and underneath was written:--
"The very best coat that I've seen the Prince wear
Was drawn by the artist of _Vanity Fair_."
The sensitiveness of people with a tendency towards corpulency is also
at times provocative of trouble. Sir Watkins William Wynn, who sat for
me on one occasion, was quite a portly old gentleman, and, presumably
in order to conceal his stoutness from my notice, he buttoned his coat
before taking up his position. As an inevitable result, a number of
well marked creases made their appearance in the region of his
watch-chain, and these I naturally included in my drawing. When he
subsequently saw the latter he refused at first to believe that so
many creases existed, but after I had finally convinced him of their
presence he went straight off to his tailor's and bestowed the blame
on him. No doubt the tailor profited in the long run; however, I
fancy, as a matter of fact, that I have been of service to a good many
tailors in my time. For many of the notabilities I have cartooned
seemed altogether unaware of their habilatory shortcomings till they
were confronted with them in my drawings.
Public-domain text, read in full here on John Shaqi.
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