My methods of studying my subjects vary considerably, and the most
successful of my caricatures have been without exception those which
were made without the knowledge of the persons portrayed. After all,
this is nothing more than natural, for by watching a man unawares one
more successfully catches his little tricks of manner, and to some
extent his movements, all of which are carefully concealed when he
comes in the guise of a complacent sitter to the studio. And so, for
the purpose of frank caricature, one prefers to rely upon memory.
I have spent such a considerable time in public places of interest
that I fear I am quite well known to the police. Not infrequently I
have been detected in the act of obtaining my victims (by the pen),
for I discovered the following account in a newspaper: "An amusing
incident occurred one evening in the House of Commons Lobby in
connection with the caricaturist and a victim. I had seen 'Spy'
silently and patiently stalking a new member (Mr. Keir Hardie) with a
striking and tempting personality. The new member, however, was
nervous, having apparently an instinctive idea that he was being
pursued, for he moved restlessly about, casting suspicious glances all
round him. An evening or two after I was surprised to see 'Spy' and
his victim engaged in a friendly conversation, the artist taking
advantage of the opportunity to examine every detail of face and
figure. It seems that the new member thought he recognized a friend in
his pursuer, and not knowing what he was after, he went up to him
feeling that he had found refuge, and that here at least was one man
who did not want to sketch him. I need hardly say that 'Spy' took full
advantage of the chase, and not long after this the victim appeared in
_Vanity Fair_."
That reminds me of the time when Lord Henry Lennox came up to me in
the Lobby.
"My dear," he said in his usual characteristic manner, "you see that
little man over there--I detest him--he caricatured me and made me
appalling."
He took a violent dislike to Pellegrini, who had seized upon his
obvious stoop with a wonderful touch, and converted it into one of his
finest caricatures.
Public-domain text, read in full here on John Shaqi.
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