At 7:30 Wylie started for London; the military man followed him in the
express at 9, and caught him up at Rugby; together they arrived at the
station at Euston Square; it was a quarter to three. Wylie hailed a cab,
but, before he could struggle through the crowd to reach it, a railway
porter threw a portmanteau on its roof, and his military acquaintance
took possession of it.
"All right," said the porter. "What address, sir?"
Wylie did not hear what the gentleman said, but the porter shouted it to
the cabman, and then he did hear it.
"No. -- Russell Square."
It was the house of Arthur Wardlaw!
Wylie took off his hat, rubbed his frowzy hair, and gaped after the cab.
He entered another cab, and told the driver to go to "No. -- Fenchurch
Street."
It was the office of Wardlaw & Son.
CHAPTER XV.
OUR scene now changes from the wild ocean and its perils to a snug room
in Fenchurch Street, the inner office of Wardlaw & Son: a large
apartment, paneled with fine old mellow Spanish oak; and all the
furniture in keeping; the carpet, a thick Axminster of sober colors; the
chairs of oak and morocco, very substantial; a large office-table, with
oaken legs like very columns, substantial; two Milner safes; a globe of
unusual size with a handsome tent over it, made of roan leather, figured;
the walls hung with long oak boxes, about eight inches broad, containing
rolled maps of high quality and great dimensions; to consult which, oaken
scepters tipped with brass hooks stood ready. With these the great maps
could be drawn down and inspected; and, on being released, flew up into
their wooden boxes again. Besides these were hung up a few drawings,
representing outlines, and inner sections, of vessels; and, on a smaller
table, lay models, almanacs, etc. The great office-table was covered with
writing materials and papers, all but a square space inclosed with a
little silver rail, and inside that space lay a purple morocco case about
ten inches square; it was locked, and contained an exquisite portrait of
Helen Rolleston.
This apartment was so situated, and the frames of the plate-glass windows
so well made and substantial, that, let a storm blow a thousand ships
ashore, it could not be felt, nor heard, in Wardlaw's inner office.
But appearances are deceitful; and who can wall out a sea of troubles,
and the tempests of the mind?
The inmate of that office was battling for his commercial existence,
under accumulated difficulties and dangers. Like those who sailed the
_Proserpine's_ long-boat, upon that dirty night, which so nearly swamped
her, his eye had now to be on every wave, and the sheet forever in his
hand.
Public-domain text, read in full here on John Shaqi.
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