When, after the period of escrow had passed, the Peacock was taken over
by its new owners, Mr. and Mrs. Needham, it was fun to stand by the
kitchen window as dusk crept through the Pass and watch them struggle
with their neon sign switches. It was a gaudy sight. First the green
"vacancy" sign would flash on and off; then, gaining certainty, it
would go on and stay on. Then the lamps at the highway end of the white
walls surrounding the motel would light up brilliantly. Then the
"vacancy" sign would go off. Then the peacock would burst into glorious
color, only to leap back into darkness again. Next, the bright red
words "Peacock Motel" would flare out of the blackness like a splash of
red paint, followed by the green "vacancy." Then, one after another,
all the signs would be turned off, as the new owners sought, by the
trial and error method, the switch that turned on the little light
outside the office. And by the time they located that switch, they
turned the office light off again hunting for the switch that turned on
the big white "vacancy" sign on their lawn, between the rows of units,
or for the one which turned the ordinary-looking, roof-sheltered little
well between the office and the highway into a blazing, neon-outlined
wishing well that could have dropped out of a fairy story.
I knew exactly what the new owners of the Peacock were going through. I
remembered how hard it had been for us--or for me, rather--to know
which switch would turn on which light or sign. And the Peacock,
obviously, had a lot more switches than we did. But even though I
sympathized completely with their bewilderment, I never missed standing
at the kitchen window in the early evening when the contagious wave of
sign-turning-on began to sweep along the highway through Banning.
The aurora borealis had nothing on the Peacock, for a couple of weeks.
When we left Los Angeles we brought with us two radios, one of them the
small white one Grant had given me before we were married, and which I
had, in Los Angeles, kept on the kitchen sink so that music could
mingle with the splashings of dish water. We planned to rent it now, at
fifty cents a night, to our customers.
We put the radio on the desk in the office, but for some reason we
didn't get around to putting on it a sign that would apprise our
customers of the fact that it was for rent. Naturally, no one asked to
rent it, and when we had been there for several months it hadn't earned
us a penny.
Fixing a sign to put on the radio was one of those things that seem
inexplicably to suggest procrastination, like changing the lining paper
in bureau drawers, or like writing to your husband's Aunt Minnie and
inviting her to come out for a few weeks.
Public-domain text, read in full here on John Shaqi.
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