Four and Twenty Fairy Tales: Selected from Those of Perrault, and Other Popular Writers
General
Four and Twenty Fairy Tales: Selected from Those of Perrault, and Other Popular Writers
Fairy tales
After they had shown Imis the Palace, the nymphs led her into the
gardens, which were of a beauty not to be described. She found in them
a very brilliant car, drawn by six stags, who were driven by a dwarf.
She was requested to enter the car. Imis complied; the nymphs seated
themselves at her feet. They were driven to the seaside, where a nymph
informed the Princess that Pagan, who reigned in this island, had
made it by the power of his art the most beautiful in the universe.
The sound of instruments interrupted the narration of the nymph.
The sea appeared to be entirely covered with little boats, built of
flame-coloured coral, and filled with everything that could be required
to compose a brilliant aquatic entertainment. In the midst of the small
craft, there was a barque of much larger size, on which the initials of
Imis were seen in every part, formed with pearls. It was drawn by two
dolphins. It approached the shore. The Princess entered it, accompanied
by her nymphs. As soon as she was on board, a superb collation appeared
before her, and her ears were regaled at the same time by exquisite
music which proceeded from the boats around her. Songs were sung, of
which her praise alone was the theme. But Imis paid no attention to
anything. She remounted her car, and returned to the Palace overwhelmed
with sadness. In the evening Pagan again presented himself. He found
her more insensible to his love than ever; but he was not discouraged,
and trusted to the effect of his constancy. He had yet to learn that in
love the most faithful are not always the most happy.
Every day he offered the Princess entertainments worthy of exciting the
admiration of all the world, but which were lost upon her for whom they
were invented. Imis thought of nothing but the absence of her lover.
That unhappy Prince had been transported in the meanwhile, by the
winged monsters, into a forest which belonged to Pagan. It was called
the Dismal Forest. As soon as Philax had arrived in it, the emerald
chariot and the monsters disappeared. The Prince, surprised by this
adventure, summoned up all his courage to his assistance, and it was
the only aid on which he could reckon in that place. He first explored
several of the roads through the forest. They were dreadful, and the
sun never penetrated their gloom. No human being was to be found in
them; not an animal even of any description; it seemed as though the
beasts themselves had a horror of this dreary dwelling.
Philax lived upon the wild fruit he found in it. He passed his days
in the deepest sorrow. The loss of the Princess distracted him, and
sometimes, with his sword, which he had retained, he occupied himself
with carving the name of Imis on the trunks of the trees, which were
not adapted for so tender a practice; but when we are truly in love we
frequently make things serviceable to our passion which appear to be
least favourable for the purpose.
Public-domain text, read in full here on John Shaqi.
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