Four and Twenty Fairy Tales: Selected from Those of Perrault, and Other Popular Writers
General
Four and Twenty Fairy Tales: Selected from Those of Perrault, and Other Popular Writers
Fairy tales
This gallery was divided into two vast and magnificent apartments: the
two Princesses occupied them; they had the same masters, the same
education; they taught nothing to the charming Aimée which was not also
taught to her sister; but Formidable came and instilled lessons into
the latter which spoilt all the rest, while Lumineuse, on her side,
rendered Aimée, by her instructions, worthy of the admiration of the
whole universe. After the Princesses had been in this castle, excluded
from the Court for three years, they heard one day a strange noise,
which was followed by the sound of charming music; they looked about
everywhere to find from whence the noise and the concert proceeded,
when they perceived three portraits occupying three places which a
moment before had been vacant. The first represented a lady being
crowned by two Cupids with flowers, one of whom regarded the beautiful
portrait with all the attention it merited, and seemed to have
forgotten to let fly an arrow at it which was fixed in his bent bow;
the other held a little streamer, on which were these verses:--
Aimée received from Nature at her birth
Those beauties which immortal are, alone.
The Graces added loveliness to worth,
And Venus yielded up to her her zone.
It was not necessary to announce this as the portrait of the beautiful
Aimée; one saw in it all her features depicted with that charming grace
which attracted every heart; she had an exquisitely fair complexion,
the most beautiful colour in the world, a round face, lovely light
hair, blue eyes, which shone with so much brightness that those who had
the pleasure of seeing them thought it useless that Lumineuse should
have bestowed on Aimée a gift which she was sure of possessing from
her own personal beauty: her mouth was charming, her teeth as white
as her skin, and Venus seemed to have given her the power of smiling
like herself. It was this divine portrait which occupied the end of the
gallery. The second was that of Naimée: she was fair, and did not want
beauty; but notwithstanding, like the original, the portrait failed to
please. These words were inscribed beneath it in letters of gold:--
Naimée, of more than common charms possest,
Can in no mortal heart a dwelling find.
Learn that in vain we are with beauty blest,
Wanting the rarer graces of the mind.
Public-domain text, read in full here on John Shaqi.
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