The principal story of Louisa, like that of Cecilia, is very simple, but adorned with a thousand beautiful episodes. As the great action of the latter is Cecilia's sacrifice of fortune to a virtuous and laudable attachment, so that of the former is the sacrifice of rank, in the marriage of the heroine to a young man of the most distinguished merit, but neither conspicuous by birth, nor favoured by fortune. The event, romantic and inconsistent with the manners of polished society as it may appear, is introduced by such a train of incidents, that it is impossible not to commend and admire the conduct of the heroine. Her character is that of inflexible vivacity and wit, accompanied with a spice of coquetry and affectation. And though this line of portrait seemed exhausted by Congreve and Richardson, we will venture to pronounce Louisa a perfect original. It is impossible to describe such a character in the abstract without recollecting Millamant and Lady G. But in reading this most agreeable novel, you scarcely think of either. As there is no imitation, so there are not two expressions in the work, that can lead from one to the other. Louisa is more amiable than the former, and more delicate and feminine than the latter. Mr. Burchel, the happy lover, is an author, a young man of infinite genius, of romantic honour, of unbounded generosity. Lord Raymond, the brother of Louisa, becomes acquainted with him in his travels, by an incident in which Mr. Burchel does him the most essential service. Being afterwards introduced to his sister, and being deeply smitten with her beauty and accomplishments, he quits the house of lord Raymond abruptly, with a determination entirely to drop his connexion. Sometime after, in a casual and unexpected meeting, he saves the life of his mistress. In the conclusion, his unparalleled merit, and his repeated services surmount every obstacle to an union.