The public has been for some time agreed that Mr. Hayley is the first of
English poets. Envy herself scarcely dares utter a dissentient murmur,
and even generous emulation turns pale at the mention of his name. His
productions, allowing for the very recent period in which he commenced
author, are rather numerous. A saturnine critic might be apt to suspect
that they were also hasty, were not the loftiness of their conceptions,
the majesty of their style, the richness of their imagination, and above
all, the energy both of their thoughts and language so conspicuous, that
we may defy any man of taste to rise from the perusal, and say, that all
the study and consideration in the world could possibly have made them
better. After a course however of unremitted industry, Mr. Hayley seemed
to have relaxed, and to the eternal mortification of the literary world,
last winter could not boast a single production of the prince of song.
The muses have now paid us another visit. We are very sensible of our
incapacity to speak, or even think of this writer with prosaic phlegm;
we cannot however avoid pronouncing, that, in our humble opinion, Mr.
Hayley has now outdone all his former outdoings, and greatly repaid us
for the absence we so dearly mourned.
We are sensible that it is unbecoming the character of a critic to lay
himself out in general and vague declamation. It is also within the laws
of possibility, that an incurious or unpoetical humour in some of our
readers, and (ah me, the luckless day!) penury in others, may have
occasioned their turning over the drowsy pages of the review, before
they have perused the original work. Some account of the plan, and a
specimen of the execution may therefore be expected.
Public-domain text, read in full here on John Shaqi.
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