At last Mary's father went to him and pressed his hand--his eyes were
moistened--the mother wept silently in her handkerchief. "You know
enough," said the old man; "it is needless for us to speak only one
thing--when do you begin its execution in marble! I have altered my
plan; I only wish a stone to be placed over my son's grave, bearing a
simple inscription. This relief I must place in the room where he
lived, on the place where stood his couch; we cannot consecrate the
spot better. But the time will seem very long to me till it is our own.
You will be the best judge of the marble. Do not delay for an hour!"
Meanwhile the mother had recovered her composure. She turned and gave
Theodore her hand, drew him towards her and kissed him on the lips,
which she had done but once before, on the day when she betrothed her
child to him--then they all left the studio. The sky was clear and
serene, and brightly shone the sun over the banks of the Tiber.
THE END.
* * * * *
PRINTED BY COX AND WYMAN, GREAT QUEEN STREET, LONDON.
Public-domain text, read in full here on John Shaqi.
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