France -- Social life and customs -- Fiction; Short stories
in her drawers, and the dressers, catching sight of the two men, drew
some curtains half to for decency’s sake. The wild stampede which
follows the end of a play had already begun, the grand removal of white
paint and rouge, the reassumption amid clouds of rice powder of
ordinary attire. The strange animal scent came in whiffs of redoubled
intensity through the lines of banging doors. On the third story Muffat
abandoned himself to the feeling of intoxication which was overpowering
him. For the chorus girls’ dressing room was there, and you saw a crowd
of twenty women and a wild display of soaps and flasks of lavender
water. The place resembled the common room in a slum lodging house. As
he passed by he heard fierce sounds of washing behind a closed door and
a perfect storm raging in a washhand basin. And as he was mounting up
to the topmost story of all, curiosity led him to risk one more little
peep through an open loophole. The room was empty, and under the flare
of the gas a solitary chamber pot stood forgotten among a heap of
petticoats trailing on the floor. This room afforded him his ultimate
impression. Upstairs on the fourth floor he was well-nigh suffocated.
All the scents, all the blasts of heat, had found their goal there. The
yellow ceiling looked as if it had been baked, and a lamp burned amid
fumes of russet-colored fog. For some seconds he leaned upon the iron
balustrade which felt warm and damp and well-nigh human to the touch.
And he shut his eyes and drew a long breath and drank in the sexual
atmosphere of the place. Hitherto he had been utterly ignorant of it,
but now it beat full in his face.
“Do come here,” shouted Fauchery, who had vanished some moments ago.
“You’re being asked for.”
At the end of the corridor was the dressing room belonging to Clarisse
and Simonne. It was a long, ill-built room under the roof with a garret
ceiling and sloping walls. The light penetrated to it from two deep-set
openings high up in the wall, but at that hour of the night the
dressing room was lit by flaring gas. It was papered with a paper at
seven sous a roll with a pattern of roses twining over green
trelliswork. Two boards, placed near one another and covered with
oilcloth, did duty for dressing tables. They were black with spilled
water, and underneath them was a fine medley of dinted zinc jugs, slop
pails and coarse yellow earthenware crocks. There was an array of fancy
articles in the room—a battered, soiled and well-worn array of chipped
basins, of toothless combs, of all those manifold untidy trifles which,
in their hurry and carelessness, two women will leave scattered about
when they undress and wash together amid purely temporary surroundings,
the dirty aspect of which has ceased to concern them.
“Do come here,” Fauchery repeated with the good-humored familiarity
which men adopt among their fallen sisters. “Clarisse is wanting to
kiss you.”
Public-domain text, read in full here on John Shaqi.
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