France -- Social life and customs -- Fiction; Short stories
One December evening three months afterward Count Muffat was strolling
in the Passage des Panoramas. The evening was very mild, and owing to a
passing shower, the passage had just become crowded with people. There
was a perfect mob of them, and they thronged slowly and laboriously
along between the shops on either side. Under the windows, white with
reflected light, the pavement was violently illuminated. A perfect
stream of brilliancy emanated from white globes, red lanterns, blue
transparencies, lines of gas jets, gigantic watches and fans, outlined
in flame and burning in the open. And the motley displays in the shops,
the gold ornaments of the jeweler’s, the glass ornaments of the
confectioner’s, the light-colored silks of the modiste’s, seemed to
shine again in the crude light of the reflectors behind the clear
plate-glass windows, while among the bright-colored, disorderly array
of shop signs a huge purple glove loomed in the distance like a
bleeding hand which had been severed from an arm and fastened to a
yellow cuff.
Count Muffat had slowly returned as far as the boulevard. He glanced
out at the roadway and then came sauntering back along the shopwindows.
The damp and heated atmosphere filled the narrow passage with a slight
luminous mist. Along the flagstones, which had been wet by the
drip-drop of umbrellas, the footsteps of the crowd rang continually,
but there was no sound of voices. Passers-by elbowed him at every turn
and cast inquiring looks at his silent face, which the gaslight
rendered pale. And to escape these curious manifestations the count
posted himself in front of a stationer’s, where with profound attention
contemplated an array of paperweights in the form of glass bowls
containing floating landscapes and flowers.
Public-domain text, read in full here on John Shaqi.
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