France -- Social life and customs -- Fiction; Short stories
He knew that she was not speaking the truth, but the warm touch of her
arm as it leaned firmly on his own, left him powerless. He felt neither
anger nor rancor after his long, long wait; his one thought was to keep
her where she was now that he had got hold of her. Tomorrow, and not
before, he would try and find out what she had come to her dressing
room after. But Nana still appeared to hesitate; she was manifestly a
prey to the sort of secret anguish that besets people when they are
trying to regain lost ground and to initiate a plan of action.
Accordingly, as they turned the corner of the Galerie des Variétés, she
stopped in front of the show in a fan seller’s window.
“I say, that’s pretty,” she whispered; “I mean that mother-of-pearl
mount with the feathers.”
Then, indifferently:
“So you’re seeing me home?”
“Of course,” he said, with some surprise, “since your child’s better.”
She was sorry she had told him that story. Perhaps Louiset was passing
through another crisis! She talked of returning to the Batignolles. But
when he offered to accompany her she did not insist on going. For a
second or two she was possessed with the kind of white-hot fury which a
woman experiences when she feels herself entrapped and must,
nevertheless, behave prettily. But in the end she grew resigned and
determined to gain time. If only she could get rid of the count toward
midnight everything would happen as she wished.
“Yes, it’s true; you’re a bachelor tonight,” she murmured. “Your wife
doesn’t return till tomorrow, eh?”
“Yes,” replied Muffat. It embarrassed him somewhat to hear her talking
familiarly about the countess.
But she pressed him further, asking at what time the train was due and
wanting to know whether he were going to the station to meet her. She
had begun to walk more slowly than ever, as though the shops interested
her very much.
“Now do look!” she said, pausing anew before a jeweler’s window, “what
a funny bracelet!”
Public-domain text, read in full here on John Shaqi.
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