Revolving these matters, Nana at length reached her home in the Rue Veron and was taken aback on observing a light in the window. Fontan had come home in a sulk, for he, too, had been deserted by the friend who had been dining with him. He listened coldly to her explanations while she trembled lest he should strike her. It scared her to find him at home, seeing that she had not expected him before one in the morning, and she told him a fib and confessed that she had certainly spent six francs, but in Mme Maloir’s society. He was not ruffled, however, and he handed her a letter which, though addressed to her, he had quietly opened. It was a letter from Georges, who was still a prisoner at Les Fondettes and comforted himself weekly with the composition of glowing pages. Nana loved to be written to, especially when the letters were full of grand, loverlike expressions with a sprinkling of vows. She used to read them to everybody. Fontan was familiar with the style employed by Georges and appreciated it. But that evening she was so afraid of a scene that she affected complete indifference, skimming through the letter with a sulky expression and flinging it aside as soon as read. Fontan had begun beating a tattoo on a windowpane; the thought of going to bed so early bored him, and yet he did not know how to employ his evening. He turned briskly round: “Suppose we answer that young vagabond at once,” he said. It was the custom for him to write the letters in reply. He was wont to vie with the other in point of style. Then, too, he used to be delighted when Nana, grown enthusiastic after the letter had been read over aloud, would kiss him with the announcement that nobody but he could “say things like that.” Thus their latent affections would be stirred, and they would end with mutual adoration. “As you will,” she replied. “I’ll make tea, and we’ll go to bed after.” Thereupon Fontan installed himself at the table on which pen, ink and paper were at the same time grandly displayed. He curved his arm; he drew a long face. “My heart’s own,” he began aloud. And for more than an hour he applied himself to his task, polishing here, weighing a phrase there, while he sat with his head between his hands and laughed inwardly whenever he hit upon a peculiarly tender expression. Nana had already consumed two cups of tea in silence, when at last he read out the letter in the level voice and with the two or three emphatic gestures peculiar to such performances on the stage. It was five pages long, and he spoke therein of “the delicious hours passed at La Mignotte, those hours of which the memory lingered like subtle perfume.” He vowed “eternal fidelity to that springtide of love” and ended by declaring that his sole wish was to “recommence that happy time if, indeed, happiness can recommence.” “I say that out of politeness, y’know,” he explained. “The moment it becomes laughable—eh, what! I think she’s felt it, she has!”