France -- Social life and customs -- Fiction; Short stories
“Oh, how good you are, my old pet! You know it was all jealousy just
now! And this time I solemnly promise you it won’t be like the first,
for now you understand what’s due to a woman. You give all, don’t you?
Well then, I don’t want anybody but you! Why, look here, there’s some
more for you! There and there AND there!”
When she had pushed him from the room after firing his blood with a
rain of kisses on hands and on face, she panted awhile. Good heavens,
what an unpleasant smell there was in that slut Mathilde’s dressing
room! It was warm, if you will, with the tranquil warmth peculiar to
rooms in the south when the winter sun shines into them, but really, it
smelled far too strong of stale lavender water, not to mention other
less cleanly things! She opened the window and, again leaning on the
window sill, began watching the glass roof of the passage below in
order to kill time.
Muffat went staggering downstairs. His head was swimming. What should
he say? How should he broach the matter which, moreover, did not
concern him? He heard sounds of quarreling as he reached the stage. The
second act was being finished, and Prullière was beside himself with
wrath, owing to an attempt on Fauchery’s part to cut short one of his
speeches.
“Cut it all out then,” he was shouting. “I should prefer that! Just
fancy, I haven’t two hundred lines, and they’re still cutting me down.
No, by Jove, I’ve had enough of it; I give the part up.”
He took a little crumpled manuscript book out of his pocket and
fingered its leaves feverishly, as though he were just about to throw
it on Cossard’s lap. His pale face was convulsed by outraged vanity;
his lips were drawn and thin, his eyes flamed; he was quite unable to
conceal the struggle that was going on inside him. To think that he,
Prullière, the idol of the public, should play a part of only two
hundred lines!
“Why not make me bring in letters on a tray?” he continued bitterly.
“Come, come, Prullière, behave decently,” said Bordenave, who was
anxious to treat him tenderly because of his influence over the boxes.
“Don’t begin making a fuss. We’ll find some points. Eh, Fauchery,
you’ll add some points? In the third act it would even be possible to
lengthen a scene out.”
“Well then, I want the last speech of all,” the comedian declared. “I
certainly deserve to have it.”
Fauchery’s silence seemed to give consent, and Prullière, still greatly
agitated and discontented despite everything, put his part back into
his pocket. Bosc and Fontan had appeared profoundly indifferent during
the course of this explanation. Let each man fight for his own hand,
they reflected; the present dispute had nothing to do with them; they
had no interest therein! All the actors clustered round Fauchery and
began questioning him and fishing for praise, while Mignon listened to
the last of Prullière’s complaints without, however, losing sight of
Count Muffat, whose return he had been on the watch for.
Public-domain text, read in full here on John Shaqi.
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