France -- Social life and customs -- Fiction; Short stories
And she launched into extraordinary praise of Daguenet. The count had
again taken her hands; he no longer refused now; he would see about it,
he said, they would talk the matter over. By and by, when he spoke of
going to bed, she sank her voice and excused herself. It was
impossible; she was not well. If he loved her at all he would not
insist! Nevertheless, he was obstinate; he refused to go away, and she
was beginning to give in when she met Satin’s eyes once more. Then she
grew inflexible. No, the thing was out of the question! The count,
deeply moved and with a look of suffering, had risen and was going in
quest of his hat. But in the doorway he remembered the set of
sapphires; he could feel the case in his pocket. He had been wanting to
hide it at the bottom of the bed so that when she entered it before him
she should feel it against her legs. Since dinnertime he had been
meditating this little surprise like a schoolboy, and now, in trouble
and anguish of heart at being thus dismissed, he gave her the case
without further ceremony.
“What is it?” she queried. “Sapphires? Dear me! Oh yes, it’s that set.
How sweet you are! But I say, my darling, d’you believe it’s the same
one? In the shopwindow it made a much greater show.”
That was all the thanks he got, and she let him go away. He noticed
Satin stretched out silent and expectant, and with that he gazed at
both women and without further insistence submitted to his fate and
went downstairs. The hall door had not yet closed when Satin caught
Nana round the waist and danced and sang. Then she ran to the window.
“Oh, just look at the figure he cuts down in the street!” The two women
leaned upon the wrought-iron window rail in the shadow of the curtains.
One o’clock struck. The Avenue de Villiers was deserted, and its double
file of gas lamps stretched away into the darkness of the damp March
night through which great gusts of wind kept sweeping, laden with rain.
There were vague stretches of land on either side of the road which
looked like gulfs of shadow, while scaffoldings round mansions in
process of construction loomed upward under the dark sky. They laughed
uncontrollably as they watched Muffat’s rounded back and glistening
shadow disappearing along the wet sidewalk into the glacial, desolate
plains of new Paris. But Nana silenced Satin.
“Take care; there are the police!”
Public-domain text, read in full here on John Shaqi.
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