Four years aboard the whaleship: Embracing cruises in the Pacific, Atlantic, Indian, and Antarctic oceans, in the years 1855, '6, '7, '8, '9Whitecar, William B.
History
Four years aboard the whaleship: Embracing cruises in the Pacific, Atlantic, Indian, and Antarctic oceans, in the years 1855, '6, '7, '8, '9
Whitecar, William B.
Sailors; Voyages and travels; Whaling
And now we come to the most influential, wealthy, and thrifty people
in the port. I refer to the Creoles, the issue of a union of some one
of the white races with the East Indian. They are mostly French, and
nine-tenths of the mercantile business is conducted by them. Their
distinguishing traits are--industry, neatness, and exact business
qualifications. They are also enterprising, and possess all the
politeness and suavity of Monsieur himself. It is not at all unusual,
on going into their business-places, to be waited upon by a bevy of
saffron-colored clerks, whilst at one side sits the maternal relative,
dressed in the handsomest manner, but with a skin as black as ebony.
The Creoles treat these relatives, notwithstanding the difference of
color, with a degree of filial affection pleasing to witness.
These Creoles, on account of their wealth, and character as substantial
men and good citizens, are much respected, even more so than the
white residents, and are freely admitted to all the privileges and
immunities possessed by the latter.
In speaking of the Malabars, I omitted to describe a funeral procession
in which they were the participants. The corpse was borne in a coffin,
on a hurdle, supported on the shoulders of six men. Preceding the
coffin was a musician with a horn in the shape of the letter S, from
which the operator produced more noise than music; next came two
drummers with their instruments, and then two tambourine players--all
uniting in making as much din as possible. Those in the procession
not engaged in discoursing the melody, were dancing and shouting.
This manner of testifying grief seemed rather odd, and diametrically
opposite to all my preconceived notions of these people, as I had
judged them to be incapable of any joyous demonstration; but it seems
they can act a farce, although they choose a rather sombre occasion to
indulge it. I have not, however, done with the funeral, not having as
yet mentioned its most peculiar feature. Over the coffin was erected a
bower of twigs and green plants, intended to represent, as nearly as
possible, a temple. I followed the procession to the cemetery, which
is an unenclosed piece of ground, situated just outside the European
cemetery, and unmarked by a single headstone. Just previous to arriving
at the cemetery, the policemen, who accompany all such funerals,
obliged them to desist from their merry-making. At the grave, which was
not more than four feet in depth, the bower was opened, and a young
chicken taken from it, which a near relative placed in his bosom very
carefully. This form, I suppose, has something to do with the doctrine
of the transmigration of souls--these foolish people imagining that
the spirit of the deceased is obliged, after death, to take refuge in
the body of some animal; and the chicken is carried thus, so that the
spirit of the defunct may easily find a tenement. All this seems to us
supremely ridiculous; but, on the other hand, these people are just as
Public-domain text, read in full here on John Shaqi.
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